Watch and Listen to José Fernández in the Broadcast Booth

Much has been said about José Fernández during the past 30 or so hours. I can only repeat, rather than add anything new to, the things that have been said about him. He was most assuredly on the Hall of Fame track, a two-time All-Star in four seasons before he turned 24 and author of one of the highest K/9 career totals in history. He also had a compelling personal story surrounding his childhood in and escape from Cuba, extending to his actually saving a life in the process. As I say, all this has been well covered during the past couple of days and there’s nothing new or important I could possibly add to the eulogy of José Fernández.

I can, however, share with you a couple of stints José did on baseball broadcasts. One occurred on August 13, 2014 during a Marlins home tilt against the Cardinals, while he was rehabbing from his Tommy John surgery, and during which he actually spent time in the booth:

The other was during a broadcast on September 9, 2015 during a game against the brewers, while he was finishing up another DL stint for a right biceps strain:

The thing that strikes me in these clips is how poised José is.  These are videos of, respectively, a 22- and 23-year old kid, speaking a second language he did not pick up until he teens, and doing so using educated-adult-level vocabulary and grammar in a voice that barely hints at an accent.  I would venture to say that between these and his 150-watt smile, José Fernández had a broadcasting career assured upon his retirement far into the future.

Our deprivation of seeing that occur wanly pales in comparison to the deprivation José’s family feels today, and we want to add our condolences to the tens of millions that have already been offered up to his family.

The Story Behind Vin Scully’s Stories, Including the One About the Beatles

It’s pretty well accepted that Vin Scully is, at this moment, baseball’s master storyteller. His 67 years in the booth have bequeathed upon him a wealth of experiences from which to draw anecdotes. It would be totally understandable if you were to believe that Vin has a steel-trap memory that loses nothing over time.

Well, that might be true, but that also doesn’t mean that Vin comes up with his stories all on his little lonesome. There is a team of two helping him with every broadcast, stage manager Boyd Robertson and camera operator Rob Menschel, who have been working with him since 1989 and who not only do their nominal jobs, but also do some of the research that helps Vin develop the stories he will share on a given night’s broadcast.

Take the time the Beatles played Dodger Stadium on the 1966 farewell tour. There is a really great story about how they had trouble eluding fans while trying to leave after having given a concert. What are the chances Vin Scully is knowledgeable enough about Beatles lore to have any idea about the Dodger Stadium incident? Given that Vin was already 38 years old at the time, you would have to conclude the chances are darn slim, at best.

That’s where Rob Menschel, on this case anyway, comes in. He’s an actual music fan, so when Vin drops any kind of reference to rock n’ roll, it usually comes from him. Between himself, Rob and Boyd, Vin can develop a full plate of stories from a wide buffet of topics any one of them may not be expert enough to develop all on his own. The trick for Boyd and Rob, of course, is to find stories that will work in Vin’s voice, including stories about such hip, edgy, current topics as the Beatles.

I won’t relay the Beatles story here. Instead, I encourage you to read the VICE Sports article written by Eric Nusbaum about the process of bringing together all the stories that Vin Scully tells during the course of a typical broadcast.

With A Little Help From His Friends: The Story Behind Baseball Announcer Vin Scully’s Stories

The 2016 Baseball Hall of Fame Inductee You’ve Never Heard Of

Committee Member Dr. James Walker, a prolific author of several baseball broadcasting books such as Crack of the Bat and Center Field Shot, penned an article over at the Conversation about this year’s Ford C. Frick Award, Graham McNamee.

McNamee could be considered a somewhat controversial selection for the Frick award. Even though he was the first-ever popular national baseball announcer, there were several holes in what we would consider his professional veneer—meaning that, by today’s standards, he would likely be considered a poor baseball announcer. But McNamee had a strong and pleasant voice that was cut for the stage, and that was exactly the thing that the earliest fans of baseball on the radio wanted from their announcer.  In the early and mid-1920s, McNamee was baseball on the radio.

Dr. Walker has generously consented to allow us to reproduce the article in full here.


The 2016 Baseball Hall of Fame inductee you’ve never heard of

James Walker

Graham McNamee called the 1928 World Series between the New York Yankees and St. Louis Cardinals. Associated Press

When the National Baseball Hall of Fame held its 2016 induction ceremony on July 24, the names of the two player inductees – Ken Griffey Jr. and Mike Piazza – were recognized by even the most casual baseball fan. Serious fans (and most New Englanders) celebrated the Boston Globe’s Dan Shaughnessy, the recipient of the J.G. Taylor Spink Award for baseball writers.

But the fourth name on this year’s list, Graham McNamee, winner of the Ford C. Frick Award for broadcasters, resonated only with devoted historians of the national pastime. In “Crack of the Bat,” my history of baseball on the radio, I reviewed McNamee’s seminal contribution to the popularization of World Series broadcasts.

Most other Frick winners have been honored during their lifetimes. (Vin Scully won in 1982 and is still broadcasting today.) But McNamee hasn’t broadcast a game in 75 years; he died at 53 in 1942, when television was only an experiment and radio was just over two decades old.

McNamee’s long wait for recognition raises two questions: Who was Graham McNamee? And why did it take 74 years for the Hall of Fame to honor his contribution to baseball broadcasting?

The right voice at the right time

McNamee came to New York in the early 1920s to study singing, only to join the chorus of Gotham’s thousands of struggling vocalists. However, the city was also the center of a nascent network radio industry that had only just begun to generate substantial advertising revenues.

McNamee was in the right place at the right time, with the right voice. In 1923, he joined RCA-owned WEAF (later WNBC) as a staff announcer. WEAF was the nation’s most popular station and ran the first-ever radio commercial, a 10-minute ad for apartments in Jackson Heights paid for by the Queensboro Corporation.

Like all first-generation radio announcers, McNamee did every kind of programming: music, news events and sports. His first significant sportscast was a middleweight championship fight in 1923. While boxing had been broadcast before, stations usually used a ringside reporter who relayed the action by phone to an announcer at the station, who then broadcast the play-by-play to listeners.

McNamee, however, broadcast live from ringside. His breathtaking firsthand account of the contest as it unfolded before his eyes captivated listeners. Big-time, live, emotional sportscasts – just like McNamee’s – were beginning to sell a skeptical public on the new medium of radio.

Boxing was a start, but McNamee’s big break in sports came at the 1923 World Series. The previous year’s World Series had been called by legendary sportswriter Grantland Rice, but Rice loathed the assignment and refused to broadcast baseball again.

Fans file into Yankee Stadium during the 1923 World Series, when McNamee got his big break. Library of Congress

So in 1923, Rice’s colleague at the New York Tribune, W.O. McGeehan, took the mic on WEAF. But after two games he’d had enough. Like Rice, McGeehan found radio’s demand for a steady stream of words very challenging; the medium provided little time for composition and none for editing. So the newspaperman left his post in the fourth inning of Game 3, leaving the mic to his assistant, Graham McNamee.

A radio star was born.

The naysayers emerge

For the next eight years, McNamee became RCA’s voice of the World Series. As the Series’ broadcast reach expanded from the Eastern Seaboard to the Midwest and, finally, to the entire nation, McNamee’s fame grew exponentially. After the 1925 World Series, McNamee received 50,000 letters from fans of his broadcasts. Listeners loved his strong, pleasant voice and detailed, enthusiastic descriptions of the action, which allowed them to better visualize a game they could only see in their minds.

But not every baseball fan was a McNamee fan. From time to time, his attention would stray from the game and to the celebrities in the stands or a letter he had received. He’d be prone to forget the count and even the batter’s name. According to baseball broadcast historian Curt Smith, McNamee freely admitted to being “an entertainer first and broadcaster second.”

So as the novelty of World Series broadcasts faded, some baseball writers became less impressed with broadcasting’s first superstar.

After one game of the 1927 Series, columnist Ring Lardner famously observed, “I attended a double-header, the game [McNamee] was describing and the game I was watching”; a New York Sun headline read “M’Namee’s Eye not on the Ball: Radio Announcer Mixes Up World Series Fans”; and in a scathing criticism, the Boston Globe identified eight problems with McNamee’s call of the opening game, including forgetting to report balls and strikes and leaving the mic for several minutes to get a soft drink.

But most fans still loved McNamee’s style; plus they had few baseball broadcasts to compare with it. In the 1920s, not many teams – and none in New York, Philadelphia or Washington – regularly broadcast games. For most Americans, McNamee’s World Series calls were all they knew.

In 1927, Graham McNamee appeared on the cover of Time magazine. Time

McNamee also added a number of other high-profile broadcasts to his resume: the inauguration of Calvin Coolidge, the 1927 Jack Dempsey-Gene Tunney “long count” heavyweight fight, the 1927 Rose Bowl game and Charles Lindbergh’s return to New York after his solo transatlantic flight.

But by the end of the Roaring Twenties, many announcers began to specialize in covering the national pastime. They included Hal Totten, Quin Ryan and Pat Flanagan in Chicago; Ty Tyson in Detroit; Fred Hoey in Boston; France Laux in St. Louis; Tom Manning in Cleveland; and Harry Hartman in Cincinnati. Each developed his own unique style and vast, local followings.

Meanwhile, though he covered the World Series from 1923 to 1931, McNamee was only working a handful of baseball contests per year because New York teams rarely broadcast regular-season games.

Famous for being the first

Baseball broadcasting was passing him by. Major League Baseball Commissioner Kennesaw Mountain Landis valued seasoned professional announcers and pushed NBC (RCA’s network) to move McNamee to pregame coverage for the 1932 World Series. Though McNamee continued to be involved in coverage of the Fall Classic – including narrating a newsreel of Game 3 of the 1935 World Series – he’d been marginalized.

Given his initial fame and role in pioneering the coverage of baseball on radio, why has McNamee been overlooked for so long by the Baseball Hall of Fame?

All previous Frick winners have had long careers, usually with one team. Although some eventually had national profiles, most cut their teeth on the day broadcasts, slowly winning the adulation of a team’s fans. But McNamee was baseball’s broadcast primal star, famous for being the first but not necessarily the best. Longtime Braves and Astros announcer Milo Hamilton, himself a Frick winner, gave a succinct explanation for why McNamee wasn’t in the Hall of Fame: “He didn’t broadcast baseball long enough.”

But in 2013 the Hall of Fame launched a new system for selecting winners that alternates consideration of announcers from three eras. The era for this batch of inductees – the one ending in the mid-1950s – gave McNamee a second chance.

It’s taken the Hall of Fame some time, and many would call it long overdue. In his 1970 book “The Broadcasters,” famous broadcaster Red Barber celebrated the medium’s pioneers, including Graham McNamee.

As Barber explained, what made them so great was “that nobody had ever been called upon before to do such work. They had to go out and do it from scratch. If ever a man did pure, original work, it was Graham McNamee.”

This article was originally published on The Conversation.
Read the original article.

How Online Media Has Shifted the Trade Rumor Market

Many knowledgeable baseball fans are already aware of the website MLB Trade Rumors, started by Tim Dierkes in 2005 as a catch-all clearinghouse for … well, major league baseball trade rumors.  Since its launch, Dierkes has become pickier about which scoops he runs with, as he has become more savvy about how the rumor market works in baseball, with players, agents, teams and reporters all pariticpating with interest in some way in order to increase their chances of being signed or traded, or to gain a competitive advantage versus another team, or to reward allies and punish rivals.

2016-08-31_17-09-08

There is a really good article about the site over at VICE Sports—Leaks, Agendas, and Old-Fashioned Gossip: Inside Baseball’s Internet Trade Rumor Economy, written by Rick Paulas—that lays this all out very well.  This article highlights how baseball media digital-style have changed things about how an important aspect of the baseball business conducts itself. I recommend you go over and read it when you have about six minutes to spare.

To me, the most interesting part of the article is how certain members of the the traditional baseball media further their own agenda as power-brokers of the game.  Here’s an interesting snippet to consider:

If a player’s reportedly gaining interest from a very specific number of teams—say: “12 teams interested in Yasiel Puig”—that’s information being planted by the agents. “Either the reporter called 12-plus teams, or more likely, the agent told the reporter and they went with it,” says Dierkes. Which highlights the other, more insidious way through which rumors proliferate, which in turn makes it even more difficult to read the hidden messages.

“You see the favor exchange between journalists and agents, and that’s kind of slimy,” says Dierkes. Notice a national reporter mentioning a player who wouldn’t generate interest in a 19-team NL-only fantasy league? That’s a favor to an agent. See a reporter bashing a free agent signing? That reporter didn’t get the information he wanted. “You’d think if that agent was a good buddy of the reporter, he wouldn’t have written that same article,” says Dierkes. “Quid pro quo can be pretty dangerous.”

Now, it’s understandable that when you’re confronted by a fire hose of information every day as the modern print or web reporter is, it seems defensible to sometimes make the decision to go with the tip from an associate in the biz without exhaustively checking it out. But the “favor exchange” seems to be walking the fine line between acceptable and slimy, and we know where Dierkes comes out on it.

Dierkes notes, too, that it’s not only agents reaching out to reporters with a thin statement they hope might blossom into a full-blown reportable rumor. Players, too, participate in this charade, and baseball bloggers operating just off the beaten path of baseball journalism can develop relationships with various players to help them get a leg up on their richer corporate media rivals:

“The [new] wild card is players,” Dierkes says. “They’re becoming sources more than they were pre-Twitter. Young reporters have made names for themselves by messaging some of these players directly, forming relationships that way.”

One such reporter is Dave Williams, a blogger for Barstool Chicago since 2012. While he didn’t get into baseball writing to break rumors, his access has grown alongside his readership. This past year, Williams has seen both the highs and lows of dipping into the rumor mill.

Over the winter, Williams announced that the White Sox had signed Yoenis Cespedes. They did not. “I got burned,” Williams says. Since, he’s been more careful about what he runs, and has been rewarded. On June 10, he announced the team was calling up shortstop prospect Tim Anderson. “I got a text from a minor league teammate of his,” he says. This came a week after his biggest scoop of the year, when he broke the story that the White Sox had traded for James Shields. How’d he get the scoop? “A guy I bought tickets off of followed me on Twitter because he thought I was funny,” he says. “He heard from his mother’s sister’s father’s girlfriend type of deals.”

One quick email to a San Diego beat writer later, and there was enough for Williams to post. With the news soon proven legit by the official announcement of the trade, national reporters had no choice but to admit they’d been scooped by a new breed of trade-rumor reporter—an inadvertent master of Internet discourse, mostly just doing it for fun. “It’s a rush,” Williams says.

I recommend you read the entire article here:

Leaks, Agendas, and Old-Fashioned Gossip: Inside Baseball’s Internet Trade Rumor Economy

New Video on YouTube: “Sportscasters: Behind The Mike”

Committee member Norm King has shared a link to something any sports media acolyte should relish: a History Channel documentary called “Sportscasters: Behind The Mike”, a 1999-2000 effort that was narrated by Joe Mantegna and that features interview pieces with luminaries such as Vin Scully, Ernie Harwell, Curt Gowdy, Bob Costas, Jack Whitaker, Jim McKay, author Curt Smith, a young David Halberstam, and more.

The tone of the documentary is rather heroic and superficial, with the kind of dramatic martial type musical bed frequently associated with televised sports in general. But that is, of course, perfectly fine, because the point of the doc is to feature historical clips of TV and radio calls of yore, as well as to give us some topline backgrounding on the history of sports broadcasting and its most famous practitioners.

This is a VCR recording converted to digital to be uploaded to YouTube, so it includes commercials from its broadcast. I am assuming this was the broadcast premier of the doc, since one of the commercials is for Ameritrade, and during the spot they have an offer to rebate half your trade commissions if you open an account “between 1/1/00 and 2/29/00.” This was back during the go-go stock trading atmosphere of the Dot-com Bubble which came crashing down later that year, and I apologize for dredging up flashbacks if your own portfolio got creamed in the melee. (My 401(k) certainly took a hit). But as a snapshot in time, not only does this video capture vintage broadcasters in their relative youth (or even alive), but it reflects a unique moment in American history.

This doc also contemplates more than just baseball, giving a significant amount of time over to the history of the broadcasting of football as it, too, was emerging to prominence.

The doc wraps up around the 49:00 mark but runs another fifteen minutes of commercials and the intro to the next program, the NBA All-Star Game Slam Dunk contest on TSN.  Not relevant to the doc, of course, but again, if you’re an amateur anthropologist, you might have an amateur’s interest in how a person viewed TV in the year 2000.

Enjoy!

The Cleveland Baseball Writers Association of America’s Annual ‘Ribs and Roasts’ Shows

Back in the olden days, it was very common for a city’s BBWAA chapter to have a banquet—or perhaps, more accurately, a bacchanalia—at which they present various awards and recognition of the mighty deeds of bat, ball and pen that took place during the regular season.

Some chapters had highly theatrical affairs. Leonard Koppett provided a detailed description of the New York chapters’ affairs in his terrific book, The Rise and Fall of the Press Box.  But research from Media Committee member Lou Boyd contends that the banquets held by the Cleveland writers’ chapter were at least the equal of that of New York’s.


The Cleveland Baseball Writers Association of America’s Annual ‘Ribs and Roasts’ Shows

‘The Forgotten Cleveland Indian MVP’s’

by Lou Boyd

 “Our Dinners Are Terrible”, screamed the headline in a February 1, 1949 article in the Boston Herald, written by Bill Cunningham[i]. This pronouncement was related to the midwinter baseball awards dinner season that was held annually in major baseball cities across the United States to celebrate and skewer their baseball heroes, managers, owners and anyone else who dared to have an impact on the previous year’s baseball season.

Invariably, these presentations were the responsibility of the local baseball writers from the various big league cities. The events ranged from a host of speakers and awards being presented to the winners of select categories up to massive productions of theatrical skits. These so-called skits could take the form of gentle taps on the wrist of their target all the way up to outright embarrassment for the subject.

The article went on to indicate that different cities were producing considerably different shows. New York, as expected, was considered the ‘most stylish of the lot’, yet, there was another city that seemed to be taking the crown away from the Big Apple. It was Cleveland.

The article goes on to say, “To put on a show such as the Clevelanders staged, you need some newspaper men who can really be funny. You need some, or somebody, who can write clever parodies and, if you’re going to lampoon the leading baseball characters of your immediate locality, you need scribes who bear, or who can manufacture, reasonable resemblances to the gentlemen being given the business. That type of affair takes a real talent and a lot of hard work. Maybe it’s worth it. The customers generally think so. Sometimes the organizers have their doubts. Such shenanigans, however, have to be good. Nothing can fall flatter than a string of these firecrackers that fall to explode. All of us have seen some that were utterly awful. It’s hard to foresee what’s going to be done about Cleveland. The place is taking all the honors that exist. It has the world championship in baseball. Its professional football team is the pace-setter and crowd collector of its particular division. Now its literary section is challenging for top honors in the field of Hammerstein, Booth and Barrymore.”

While the 1948 Cleveland baseball season was monumental, the baseball writers exploits during this off-season celebration in early 1949 was not their first. The Cleveland Chapter of the Baseball Writers Association of America (BBWAA) had been conducting these dinners for the local American League representative Indians beginning in 1938, and each year they selected a ‘Most Valuable Player’ of the Cleveland Indians.

1939 Cleveland BBWAA Ribs & Roasts show, their second annual awards dinner. Mel Harder was elected team MVP.
1939 Cleveland BBWAA Ribs & Roasts show, their second annual awards dinner. Mel Harder was elected team MVP.

1938 – 1944 Ribs & Roasts Shows

On November 9, 1937, the Cleveland chapter of the Baseball Writers Association of America met at the sports offices of the Cleveland Plain Dealer to hold their annual elections for officers.[ii] It is very probable that the genesis of the Cleveland version of a sportswriter’s dinner awards show began at that meeting. The following day, it was announced that Stuart Bell, Sports Editor of the Cleveland Press was elected chairman of the chapter. Eugene Whitney was re-elected secretary and Herm Goldstein was chosen as treasurer.

According to ‘The Sporting News’ on December 30, 1937, “The Cleveland chapter of the Baseball Writers Association will hold its annual dinner on January 4 with Steve O’Neill as the guest of honor. In addition to this affair, the chapter has decided to have monthly dinner meetings and to investigate the possibility of a major party along the lines already popular in several other cities.”[iii]

The Cleveland Chapter did decide to hold a major party and award the honor of “Most Valuable Player” for the 1937 season. The award was presented on February 23, 1938 to Johnny Allen at the first annual banquet referred to as the ‘Ribs and Roasts of 1938’. The awards and banquets continued uninterrupted through the 1943 season. It is assumed that due to the war, no shows or awards were given for the 1944 and 1945 seasons.

Throughout the early years, the formal event to honor these individuals was more often than not known as the annual “Ribs and Roasts” show, with the intent behind the name to present an enjoyable evening of poking fun at the members of the Cleveland sporting community, including the writers, players and management of not only the Cleveland Indians, but also on occasion, the Browns, Barons and any other organization rooted in local Cleveland sports.

Beginning in 1946, the Cleveland writers renamed the award as the “Man of the Year” and presented the honor to Bill Veeck, owner of the Cleveland Indians. The name of the award was changed in order to include “non-players such as owners and other more sedentary personnel”.[iv] In addition to Bill Veeck, the only other non-players awarded the honor were Mel Harder for the 1961 season when he was the pitching coach and Dave Garcia in 1979 when he was manager of the team. The award was officially changed to the “Bob Feller Man of the Year” award beginning in 2010.

For some reason, the MVPs recognized by the sportswriters beginning with the 1937 season through 1943 were forgotten by the local record books and publications. An article by long time Cleveland writer Howard Preston was published in 1969 that said “Late last month the Cleveland chapter of the Baseball Writers Association of America presented another ‘Ribs and Roasts Show’ which it dubbed the 23rd annual affair, designed to put the spotlight on the previous year’s sports activities in Cleveland. Somebody can’t count. I have in my possession the program from the first annual Ribs and Roasts show and the date is 31 years ago last night, Feb. 23, 1938.”[v]

Even the Cleveland Indians publicity department somehow forgot about these player awards. Beginning with the 1968 Cleveland Indians Pressbook, the organization started to expand the historical information included in the booklet given to sportswriters covering major league baseball. Included was a list of members of the organization chosen as the Cleveland ‘Man of the Year’ award beginning in 1946. It can be surmised that Marshall Samuel, long time Indians publicist joined the Tribe with Bill Veeck in 1946 from Chicago and was not aware of the previous awards and shows since there had been a lapse of two years.

The Forgotten MVP’s

 In addition to Johnny Allen, the 1937 MVP, another six Indians have been lost to the record books for their accomplishments in the annals of Cleveland Indian history. Here is a list of those Tribesmen who should be recognized for their achievements recognized by the Cleveland BBWAA.[vi]

Indians Season         Date of Ribs & Roast Show                     “MVP”

1937                                       February 23, 1938                           Johnny Allen

1938                                       February 8, 1939                              Mel Harder

1939                                       February 6, 1940                              Bob Feller

1940                                       January 14, 1941                              Lou Boudreau

1941                                       January 20, 1942                              Jeff Heath

1942                                       January 26, 1943                              Ken Keltner

1943                                       May 23, 1944                                      Al Smith

Hopefully, this information will someday be recognized by the historians for the outstanding contributions these men made on the field for the Cleveland Indians.

[i] Cunningham, Bill. “Our Dinners Are Terrible,” The Boston Herald, February 1, 1949.

[ii] Unknown, “Writers Elect Bell”, The Cleveland Plain Dealer, November 10, 1937.

[iii] Unknown, “In the Press Box”, The Sporting News, December 30, 1937.

[iv] Preston, Howard, “Who’s Where, 31 Years Later”, The Cleveland Plain Dealer, February 24, 1969.

[v] Ibid.

[vi] Unknown, “Honor Bearden at Banquet Here”, The Cleveland Plain Dealer, November 19, 1948.

Further confirmation of MVP awardees and Ribs & Roasts shows for the years 1938 – 1944 were compiled primarily from articles written in The Cleveland Plain Dealer and other various Cleveland newspapers during the timeframe of the awards shows.

2016 MAJOR LEAGUE BROADCAST REVIEWS

Many baseball fans have their favorite and least favorite broadcasters. This preference is often correlated with what team follows (or hates). This was especially true long ago, when you could only hear the local clubs or those you’d pick up at night over a transistor radio. But the Internet age—thanks, MLB.com—has made it possible to hear and see every club’s broadcasts, both on radio and television.

As a student of baseball broadcasting history, I thought it might be appropriate to “rate” the current MLB radio and TV broadcast teams. This involves listening to and watching a lot of baseball (not a terrible thing, right?) not only for the result but also for the way the games are delivered.

I rated these men and women—well, woman, anyway—on voice quality, knowledge of the game, analytical skills, and interaction with their partners. (And does anyone really think that Jenny Cavnar, Jessica Mendoza, or Jeanne Zelasko wouldn’t be qualified to work games? I can think of some current play-by-play men that I’d replace in a minute.)

Overall, I’m a pretty tough sell; while no individual or club rated below C-, there also aren’t a lot of A’s. Most clubs have at least an average broadcast, with few announcers, analysts, or overall game packages rating below B-. The narrowing of the types of broadcasters hired—most emerge from broadcasting schools with similar “professional” voices and pedigrees—has raised the floor for broadcast quality but also lowered the ceiling.

These ratings are sorted by American and National League franchises, partially because I’m a cranky traditionalist but primarily because it makes these lists easier to read.

In addition to rating the broadcast teams, I’ll also offer my top ten play-by-play voices and ten favorite analysts. (Note that radio has fewer high-rated “analysts”; this is because there are fewer analysts in general. Many clubs go with a pair of professional voices on radio rather than a play-by-play and a color announcer, as is usually done on television.)

Please also note that there are more broadcasters that I rate B+ and B than fit on these top 10 lists.

While I would love to rank the Spanish-language broadcasts—and all teams now have it except the Orioles, Indians, Tigers, Blue Jays, Braves, Reds, Pirates, Cardinals, and Nats—my skills en Español are not really up to par. (And that’s to say nothing of the Korean broadcasts the Dodgers offer.) So I’m challenging you bi- or tri-linguals out there: which Spanish MLB broadcasts and broadcasters are the best?

Below are the rankings. Thanks for reading!

 

THE RADIO BROADCASTS

AMERICAN LEAGUE

Baltimore Orioles: On a good day, the play-by-play men are inoffensive. Jim Hunter can and has risen above the others. C

Boston Red Sox: Ex-Pittsburgher Tim Neverett is the new second man to Joe Castiglione. Using two capable play-by-play men with different styles works here. B

Chicago White Sox: Apparently, you either love Ed Farmer and Darrin Jackson or you don’t get them at all. C

Cleveland Indians: Tom Hamilton is among the best, and minor league vet Jim Rosenhaus helps. But this solid two-man duo begs for some analytic component. B

Detroit Tigers: Lead voice Dan Dickerson is fine, but Jim Price—who carried Ernie Harwell in his final few seasons—is slowing. B-

Houston Astros: Robert Ford has projectable skills. B-

Kansas City Royals: Denny Mathews, with the team since its inception, is in his victory lap. Ryan Lefebvre deserves the #1 job if he wants it. B-

Los Angeles Angels of Anaheim: Serviceable announcers, serviceable broadcast. B-

Minnesota Twins: Twins voice Cory Provus is a pro (vus), but he needs more help than he’s getting. B-

New York Yankees: John Sterling and Suzyn Waldman are entertaining, I’ll give ‘em that! B-

Oakland Athletics: Longtime play-by-play man Ken Korach is solid. B

Seattle Mariners: While neither Rick Rizzs nor Aaron Goldsmith will light you on fire, they’re enough. B

Tampa Bay Rays: Pretty marginal, but congrats to Andy Freed and Dave Wills for working their ways up. C+

Texas Rangers: Eric Nadel remains a quality voice and Matt Hicks is getting there. B

Toronto Blue Jays: They really need to turn down the PA feed during home broadcasts. It’s beyond irritating. B-

 

NATIONAL LEAGUE

Arizona Diamondbacks: Greg Schulte has a hearty timbre uncommon among modern baseball announcers. B-

Atlanta Braves: There’s not much excitement here, but it goes down easy. B-

Chicago Cubs: Pat Hughes is entirely in his milieu. B

Cincinnati Reds: The overall show is weak, but at least Marty Brennaman offers the possibility of a non-P.C. eruption. C+

Colorado Rockies: Thrills are not on offer here. C+

Los Angeles Dodgers: This franchise deserves better. A few years ago, they tried internet broadcasts with Jeanne Zelasko and Mark Sweeney. Why not them? C

Miami Marlins: Thrills are definitely not on offer here. C

Milwaukee Brewers: Not sure if either of the new guys are fit to replace Bob Uecker, but the franchise may elect to find out anyway. B-

New York Mets: Among the top listens in the game despite a lack of ex-player analysis. B+

Philadelphia Phillies: There’s no A-level talent here, but many teams do far worse. B

Pittsburgh Pirates: Five reasonably solid guys, good play-by-play and some decent analysis. The rotating between TV and radio is a bit disorienting. B+

St. Louis Cardinals: Mike Shannon is an institution, but he’s no longer adept at play-by-play—if he ever was. John Rooney sounds … comfortable. B-

San Diego Padres: Ted Leitner, like poutine, stuffed pizza, and the runza, appears to be a dish that you have to be a local to enjoy. C+

San Francisco Giants: Jon Miller and Dave Flemming are the top MLB duo on radio. A-

Washington Nationals: Their radio voices are trained, experienced, and unexciting. B-

 

THE TELEVISION AND CABLE BROADCASTS

AMERICAN LEAGUE

Baltimore Orioles: For one thing, Gary Thorne and his “three-RBI homer” have to go. C+

Boston Red Sox: Dave O’Brien is a stable replacement for Don Orsillo. This is one of the better telecasts in the game. B

Chicago White Sox: Jason Benetti? A comer. Steve Stone? One of the very best analysts. And then there’s the Hawk. B-

Cleveland Indians: These guys are capable, if a bit dry. B-

Detroit Tigers: Mario Impemba is a student of the craft, but these telecasts lack quality analysis and imagination. B-

Houston Astros: While TV does not mandate an overly busy delivery, it does call for some excitement. B-

Kansas City Royals: Ryan Lefebvre is awfully good, a distinction that his Royals TV cohorts cannot claim. B-

Los Angeles Angels of Anaheim: Almost annoyingly average. How is “Drive…home…safely!” anyone’s idea of a thrilling walk-off call? B-

Minnesota Twins: Dick Bremer is still well above par. B

New York Yankees: Ken Singleton is that rare bird—an ex-player excellent at analysis and quite good at play-by-play. B

Oakland Athletics: Glen Kuiper and Ray Fosse have rapport. B

Seattle Mariners: One of the more enthusiastic broadcasts you’ll see; Dave Sims is quite the spicy enchilada. B

Tampa Bay Rays: DeWayne Staats isn’t really any worse than he ever was. Brian Anderson is helpful. B-

Texas Rangers: Fill-in Dave Raymond has injected some much-needed professionalism into this telecast. C

Toronto Blue Jays: Hiring Dan Shulman to do play-by-play for 30 telecasts this year only makes Buck Martinez look worse. B-

 

NATIONAL LEAGUE

Arizona Diamondbacks: Zing-less presentation of a dull team. C

Atlanta Braves: This franchise used to be a model of how to do a baseball telecast. That was a long time ago. C+

Chicago Cubs: Jim Deshaies can blend humor and analysis, but an endless stream of in-game ads and promotions limits him. B

Cincinnati Reds: Even Chris Welsh has slipped a little. C+

Colorado Rockies: Drew Goodman & Co. deliver a quality view with good chemistry and analysis. B

Los Angeles Dodgers: Nobody could fill Vin Scully’s shoes, but better Joe Davis tries to than Charley Steiner. B

Miami Marlins: The decision to release Tommy Hutton from his color duties has harmed the product. B-

Milwaukee Brewers: This telecast really suffers when Brian Anderson is covering the NBA. B

New York Mets: The best baseball broadcast around: fine play-by-play, flow, humor, and incisive commentary. A

Philadelphia Phillies: The parts are reliable enough and they mesh okay. Matt Stairs is a rich man’s John Kruk. B-

Pittsburgh Pirates: More than decent all the way around. B+

St. Louis Cardinals: The play-by-play men talk far too much and the analysts are only average. C+

San Diego Padres: While Dick Enberg, in his last season, retains some charm, the broadcast will be better with Don Orsillo. B-

San Francisco Giants: Duane Kuiper and Mike Krukow are in the top echelon, but as ex-players, they could provide more analysis. A-

Washington Nationals: At least nobody has to listen to Rob Dibble any longer. C

 

TOP TEN AT PLAY-BY-PLAY (sorted alphabetically within grades)

A             Gary Cohen, Mets TV

A-           Brian Anderson, Brewers TV

A-           Duane Kuiper, Giants TV/radio

A-           Jon Miller, Giants radio/TV

A-           Vin Scully, Dodgers TV/radio

B+           Dick Bremer, Twins TV

B+           Tom Hamilton, Indians radio

B+           Pat Hughes, Cubs, radio

B+           Ryan Lefebvre, Royals TV/radio

B+           Howie Rose, Mets radio

 

TOP TEN COLOR ANALYSTS (sorted alphabetically within grades)

A-           Ron Darling, Mets TV

A-           Ken Singleton, Yankees TV

B+           Jim Deshaies, Cubs TV

B+           Steve Stone, White Sox TV

B             Mike Blowers, Mariners TV

B             Ray Fosse, Athletics TV/radio

B             Jeff Huson, Rockies TV

B             Mike Krukow, Giants TV/radio

B             Jose Mota, Angels radio

B             Jerry Remy, Red Sox TV

 

Stuart Shea wrote Calling the Game: Baseball Broadcasting from 1920 to the Present, published by SABR in 2015.

Recently Discovered: Excerpt of Cubs at Dodgers, April 22, 1958, WGN Radio

Today we are reposting a post from the blog Inches per Second, maintained by Bob Purse, a self-described “father of two amazing young women” who’s “married to the most wonderful woman in the world”. (Lucky man!)

His website is  dedicated to playing historical audio as captured on reel-to-reel tapes. Not all of it is baseball-related—in fact, as far as I can see, almost none of it is—but his latest posts features a terrific find by Committee member Stu Shea, generously mentioned within, featuring an interview and game coverage of the Chicago Cubs at Los Angeles Dodgers on April 22, 1958, a game that was, in fact, the fourth-ever regular season major league baseball game ever played in Los Angeles. (Spoiler alert: Dodgers beat the Cubs, 4-2.)

Here’s the story, with audio, below. Enjoy!


 

With the Chicago Cubs currently leading all of baseball, posting the best record seen by any team in 32 years, and the best Cubs start in 109 years, what better time for a bit of radio and baseball history, involving the Cubs.

Today’s tape was generously donated to this site by my best pal Stu Shea, who has written several books, including several on baseball and music, among other things, and who also often offers up comments on this site and my other blog. THANK YOU, STU!!!

Here’s what Stu has to say about this tape:

This is a recording of the Chicago Cubs and Los Angeles Dodgers on WGN radio, Chicago, from April 22, 1958. This is the first season that the Dodgers were in LA after having moved from Brooklyn.

Included is a pregame interview between Cubs broadcaster Lou Boudreau and Dodgers shortstop Pee Wee Reese–then 39 and in his last year as an active player–and some of the game’s action.

There are not many tapes in existence of Jack Quinlan, the Cubs’ play-by-play radio announcer, from his time in Chicago. He was a very highly regarded baseball voice who died in a car accident during 1965 spring training. He was just 38.

A couple of things to add. This was the very first time the Cubs or their announcers were seeing the L.A. Coliseum as it was in those days reconfigured for baseball. It was, as I’ve read, perhaps the least appropriate venue for major league baseball in history, and much of the discussion in these segments concerns the various aspects of the park.

I’ve divided the tape into the pregame interview and lead-up to the game, followed by the play-by-play of the first inning (which is all that’s on the tape of the actual game). Also worth noting is the lack of a commercial break at either the half-inning point or after the first inning, and, in a bit of sad irony, Quinlan makes note of a noted basketball coach who had died that day in a car crash, just as Quinlan himself would, seven years later.

Download: Lou Boudreau and Jack Quinlan – Pregame Show with Pee Wee Reese and Comments Before the Game

Play:

Download: Jack Quinlan and Lou Boudreau – Cubs Vs. Dodgers, First Inning

Play:

As the tape spooled down to its last few minutes, whoever recorded the Cubs broadcast switched over to a faintly received St. Louis station, and captured just a few minutes of a Cardinals broadcast, featuring two already well-known men, both of whom would become even more famous broadcasters in the coming years, Harry Caray and Joe Garagiola. And even here, the oddities about baseball at the L.A. Coliseum end up being discussed! Here is that brief segment:

Download: Harry Caray and Joe Garagiola – Cardinals Broadcast:

Play:

And in case you’ve never seen one, here is a picture of the L.A. Coliseum, as it was configured for baseball:

LA Coliseum 1958

How Radio Gave Baseball Its Voice (Paul Dickson)

The National Pastime Museum is a website rich with historical baseball articles written by some of SABR’s brightest lights, as well as some of the top working journalists in the game.  If you haven’t been there yet, head on over when you’ve got a few minutes to kill.

An interesting baseball media article published there recently was written by Paul Dickson, who is probably most famous in baseball circles for publishing The Dickson Baseball Dictionary, which you can buy here or, if you have at least a halfway decent library available to you, check it out from there.  But Dickson has authored enough baseball and non-baseball books, over 65 of them, to have a pretty impressive Wikipedia page dedicated to him.

The article Dickson recently published, which we republish in full below, is titled “How Radio Gave Baseball its Voice“, and while it’s not a comprehensive history of baseball on the radio, it does include some of the key figures of the early radio business, and is a nice, easy, breezy read.

Thanks to Becki Hartke, Director of the National Pastime Museum. You can join almost 2,500 other followers of their twitter feed at @TNPMuseum.


 

HOW RADIO GAVE BASEBALL ITS VOICE

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On August 5, 1921, in Pittsburgh, Pennsylvania, a 25-year-old studio announcer for radio station KDKA sat in a box seat behind home plate in Forbes Field. Using only a converted telephone as a microphone and some jury-rigged equipment, Harold Arlin broadcast the first Major League Baseball game, calling every play in a game between the Pirates and the Phillies, which the Pirates won 8–5.

Arlin later recalled that this pioneering event was merely an experiment—a “one-off”—and that most of the staff at the station thought that baseball would never be commercially viable on radio.

For the moment the conclusion reached by Arlin and his peers seemed on target. That year’s World Series between the New York Yankees and the New York Giants was broadcast locally, and the broadcast the following year of the 1922 World Series was linked to more than one station, but these were novelties with little impact on the regular baseball season or the consciousness of the fans.

The first great radio success came in 1923 with the Chicago Cubs, which was due to the open-mindedness of Phil Wrigley, the owner of the Chicago Cubs, and his progressive president William Veeck—not to be confused with his son Bill Veeck. Wrigley, a great advocate of advertising, had been the perfect owner for Veeck to work with. One of the combined legacies of the two men was radio, which both men saw as the perfect vehicle for selling the Cubs as a regional franchise. Veeck especially welcomed free radio coverage of Cubs games, and one of the reasons he gave for this was that radio educated new fans in the subtleties of baseball, and this was especially true for women. Wrigley firmly believed that radio would increase ticket sales and yield a wider regional fan base.

Late in the 1923 season, Judith Waller, managing director of radio station WMAQ, came to Wrigley asking for a 30-day trial of broadcasting live Cubs games. At the end of the trial, listeners were asked to send in letters expressing their feelings about the broadcasts. The letters came in bundles from all over the Midwest. A Wisconsin dentist wrote, “I have had no trouble with my patients since I installed the radio for the Cubs games. They sit and listen and let me work.” An Indiana farmer wrote that he had a radio rigged in his field and caught the score as he finished each turn of the plow. He said, “Don’t stop it.”

The experimenting continued and culminated on June 1, 1925, when WMAQ became the first station in the United States to broadcast every home baseball game, an arrangement that continued for many seasons. Surprisingly, the deal with WMAQ was not exclusive, and the Cubs allowed other broadcasters to set up next to the press box and provide live accounts of the game on the radio. At any given moment through the late 1920s, as many as five radio stations carried the games live. But the key was WMAQ, a clear-channel 50,000-watt monster that could be heard over much of the Midwest in the day and over most of the East Coast at night when the AM signal was stronger. “The middle as well as the country at large was becoming Cub-conscious,” newsman John P. Carmichael later wrote of the WMAQ deal. “The team was on its way to fame and fortune.” [i]

In his 1946 history of the Cubs, journalist Warren Brown maintained that beyond spreading the Cubs gospel, radio did increase attendance for the team. His evidence: from 1918 to 1924, when the Cubs averaged fourth place in the National League standings, they drew 3,585,439 patrons for that seven-year period; and from 1925 to 1931, with a club that averaged fourth place in the National League standings, the Cubs, for that seven-year period, drew 7,845,700 patrons. To quote Brown, “That represents a gain of 119%. Over the same period, the other seven clubs gained 27% in home attendance.”

But despite the success of the Cubs as the decade wore on, a majority of the other teams were increasingly fearful, believing radio would cut down on ticket sales by allowing the lukewarm fan—or the fan with little disposable income—to stay home and get a word picture of the game for nothing. The Boston teams—the NL Boston Bees (later the Braves) and the Red Sox—began broadcasting some of their games in 1926.

Baseball Magazine, July 1930

Then along came the crash of 1929 and the fear of broadcasting seemed to intensify. Owners pointed to the declining sales of sheet music and phonograph records as evidence of radio’s negative impact on traditional media. But there was one notable exception—in 1929 the Cincinnati Reds became the second club to air regular radio broadcasts of all their home games.

In December 1931, 11 of 16 Major League teams came to the winter meetings in Chicago planning to establish a ban on all radio coverage, but the measure had to be tabled. The night before the ban was to be discussed, the Cubs had agreed to a new radio contract for the 1932 season, infuriating those who feared the consequences. President William Harridge of the American League intimated that if radio became an issue with the newspapers, he would recommend that broadcasts be eliminated. “Newspaper publicity made baseball,” said Harridge, who had the support of the Baseball Writers Association, which had expressed the belief that radio was cutting down on the sale of “EXTRA” editions of their newspapers.[ii] [iii]

As the Depression deepened, the opinion of the majority of owners solidified around the notion that radio kept fans from the ballpark. Nowhere was this belief more strongly held than in the greater New York area, where, in 1934, a five-year pact between the Brooklyn Dodgers, New York Giants, and the New York Yankees went into effect banning all radio coverage. Added to this fear that radio was sapping the vitality of baseball was the emergence of serial melodramas known as soap operas, which often ran when afternoon games were played.

If radio was declared the enemy of baseball in New York, it was not universal. The Cincinnati Reds reported that radio was adding to ticket sales, and the commitment to the medium redoubled when Powel Crosley, the largest manufacturer of radios in the world, bought the team in 1934.

Crosley’s general manager was Larry MacPhail, the red-faced, sandy-haired, heavy-drinking protégé of Branch Rickey who had revived the ailing Reds and turned them into a money-making contender. His innovations in Cincinnati included regular radio broadcasts employing another redhead—a young Floridian named Red Barber—and night baseball.

MacPhail was hired by the Brooklyn Dodgers during the winter of 1938–39, and on February 5, MacPhail announced that the Dodgers would be the first team to break the New York area radio ban, and all of the team’s games would be broadcast on WOR—a 50,000-watt powerhouse of a station. Sponsors had been lined up, and broadcaster Red Barber was hired to be the voice of the team.

Source: The Trading Card Database, www.tradingcarddb.com

Later in the month at the National League winter meeting, the Giants announced they were also opting out of the radio agreement. At the end of that meeting, the only radio holdout in either league was the New York Yankees, which succumbed shortly thereafter. [iv]

Meanwhile, after being first hired by MacPhail, Barber went to spring training to get the lowdown on the players so that he could talk about them—and not just what they did between the white lines. New Yorkers had heard him before—and apparently liked him despite or because of his homespun southern delivery—as the announcer for the 1938 World Series and radio voice of the Army–Notre Dame football game staged at Yankee Stadium a few months earlier. His voice, made for radio, was soothing, and his approach to calling a game was colorful and rich in rural metaphor—Ebbets Field would soon become “the Flatbush pea patch.” Barber was a man of “you alls” and “yes, ma’ams” headed for a place mocked for “dems” and “dose.” [v]

Barber was one of the most influential of the new broadcast personalities who gave the game its voice through the war years and beyond and in the process became as important to the face of many teams as the players themselves. Another such figure was Mel Allen, another southern voice, who became the Yankee’s first play-by-play man. During his long radio career, Allen called more World Series (20) and All-Star Games (24) on radio than anyone in history. Barber, who later went to the Yankees after 15 years with the Dodgers, was also instrumental in the development of another brilliant redhead, Vin Scully. Beginning with the Brooklyn Dodgers in 1950, Scully apprenticed under his watchful eyes and critical ears. The amazing Scully has called Dodgers games on two coasts in seven decades including the present one.

As it turned out, radio became the vehicle by which baseball thrived. As Gerald Nachman put it in his book Raised on Radio, “Radio quickly became a crucial arm of sports in America, spreading the gospel of baseball in the 1920s to 1950s.”

When television came along, the fear was that radio would be the loser to the new medium, but radio remains vital today as teams set up their own networks to keep far-flung fans connected to their favorite teams. Currently, the last team to buy into radio has 52 stations linked on the Yankees Radio Network, which reaches across 15 states including Alaska.

 


[i] Carmichael, 1993, Chicago Daily News, biography.
[ii] San Jose News, December 8, 1931.
[iii] Normally reserved for a crisis—but often extended to baseball—these were special editions hastily printed and hawked by street vendors. During a World Series, there would be at least one newsboy on every corner.
[iv] Chicago Tribune, December 17, 1938.
[v] The Sporting News, March 16, 1939, p. 6.

Major League Broadcast Booth Changes Don’t Open Minor League Doors

The Major League Baseball season consists of 2,430 games played over the next six months, and with each of those games broadcast on television and radio, hundreds of commentators get involved. While the phrase “you can’t tell them without a scorecard” originally applied to players, with more than 40 of those announcers changing jobs this winter, we thought it might be good to give them a rundown as well.

If you caught ESPN’s Opening Night broadcast on Sunday, you discovered a new top team for the Worldwide Leader in Sports’ coverage of the national pastime. While Dan Shulman begins his sixth season in the booth, his partners are both gone. John Kruk returns to Baseball Tonight, while Curt Schilling’s month-long departure from the Sunday night booth last September has become permanent.

Just as she did last fall, Jessica Mendoza replaces Schilling: Aaron Boone slides over from Monday-night duty to replace Schilling. Eduardo Perez will join Schilling in the analyst chair on Monday nights, with Karl Ravech or Dave Flemming handling play-by-play.

When Fox starts its coverage this weekend, it too will make a change at the top, with John Smoltz replacing the duo of Harold Reynolds and Tom Verducci.

Below is a look at the changes coming to local broadcasts around the league, broken down by division. But before we get there, let’s get the easy listings out of the way: if you’re a fan of the Rays, Yankees, Indians, Royals, Twins, Astros, Angels, Mariners, Mets, Braves, Nationals, Giants or Reds, you’ll get more of the same from last season.

While 17 teams changed something about their broadcasts, that doesn’t appear to have created any vacancies at the AAA level. Every new major-league play-by-play voice save one came from a supporting role at a national network or from another major-league booth, and the lone exception jumped from NCAA Division I to MLB.

In fact, the directory at Broadcaster411.com lists just two new lead play-by-play voices in AA and AAA:Tyler Murray takes over at AA New Hampshire while Chris Adams-Wall steps in at AA New Hampshire.

American League East

Former Red Sox second sacker Jerry Remy has a new partner in the television booth this season as the organization sacked Don Orsillo following a 15-year tenure. Dave O’Brien moves from the radio booth to TV, and New Hampshire native Tim Neverett moves in from the Pirates’ broadcast crew to replace O’Brien on the radio.

Dan Shulman continues his gig as the play-by-play voice for Sunday Night Baseball on ESPN, but also returns home for 30 Blue Jays telecasts on Sportsnet, where he’ll join Buck Martinez and Pat Tabler.

In Baltimore, Fred Manfra will cut back to about a third of the Orioles’ games. Jim Hunter, who was one of several analysts on the television side, will lead the committee to replace him.

American League Central

The White Sox move radio flagships from WSCR 670 to WLS 890, paving the way for the Cubs to take over CBS’s 50,000-watt all-sports station in the nation’s third-largest radio market. With the Blackhawks on WGN 720, the Bulls on WMVP 1000 and the Bears on WBBM 780, all five major Chicago sports teams are on different Class A stations for the next few months.

On the television side, the Pale Hose make another change, and it’s one that will be met with jubilation or despair but not much in between: Ken Harrelson will cut his schedule in half for his 27th straight season in the booth. “The Hawk,” who turns 75 over Labor Day weekend, has taken the unusual step of cutting his schedule back to predominantly road games because each home game comes with a 100-mile commute one way from his home in Granger, Ind. Jason Benetti, a 32-year-old Syracuse University graduate who called games at the local AAA team before joining ESPN in 2011, will handle the remaining half of the schedule.

The Tigers will swap play-by-play announcers between TV and radio for 13 games this season with Mario Impemba moving to radio and Dan Dickerson handling TV duties. Michigan native Dick Enberg, who is signing off from the Padres booth after the season (more on that below), will also step in for a game.

American League West

A Rangers broadcast crew with three 60-something announcers will get a bit of relief as 43-year-old Dave Raymond joins the staff. A Stanford graduate who was one of three men splitting in the Astros radio booth from 2006-12, Raymond will work 43 games on radio with Steve Busby, permitting Tom Grieve to dial back his schedule. Raymond will also fill in for Eric Nadel on the radio side, working with Matt Hicks.

In Oakland, Mark Mulder will join the television booth for 20 games.

National League East

The Miami Marlins dispense with television analyst Tommy Hutton after 19 seasons. The Miami Herald reported that the team believed Hutton was too negative: as media columnist Barry Jackson observed, “Hutton’s dismissal serves as a disconcerting reminder that many teams prefer cheerleaders in the booth, announcers who won’t rock the boat and certainly won’t openly question coaching or personnel decisions.”

Eduardo Perez, Preston Wilson and Al Leiter will alternate alongside Rich Waltz in Hutton’s place, leaving Leiter in the unique position of working local telecasts for both the Yankees and Marlins.

In Philadelphia, the Phillies will have just one flagship station instead of two as they drop WPHT 1210 for an exclusive home on WIP 94.1.

National League Central

The Pirates, who lost Tim Neverett to Boston, ransack divisional rival Milwaukee for a replacement. Joe Block steps aside as Milwaukee’s no. 2 radio voice to join Greg Brown in the Steel City, where the announcers alternate TV and radio duties from one game to the nexr.

With Block out, Jeff Levering assumes the title of “Bob Uecker’s backup” in Milwaukee: he serves as the secondary play-by-play announcer for home games and leads the broadcast when Uecker is absent on the road. Last year, Levering was the third man on the totem pole, which meant he joined Block to do color on the road. That means that Levering is, in effect, partnering with his own replacement this year: Lane Grindle steps in after a decade covering baseball at the University of Nebraska.

Longtime Cardinal voice Mike Shannon cuts road games out of his schedule after trimming most non-division road games some time ago. Rick Horton and Al Hrabosky, who also work the television side of things, were the fill-ins last season, and Jim Edmonds is set to join Fox Sports Midwest this year.

As mentioned above, the Cubs slide from one CBS radio station to another, departing WBBM 780 for WSCR 670.

National League West

The Rockies require two men to replace the retired George Frazier in the TV color chair: Ryan Spilborghs and Jeff Huson will join Drew Goodman on Root Sports Rocky Mountain.

At the age of 81, Dick Enberg has decided that the 2016 season will be his last with the Padres on Fox Sports San Diego. Former Red Sox voice Don Orsillo is the successor in waiting: he will cover a part-time schedule of TV and radio games this season before taking over full-time on television next spring.

Ted Leitner returns to the Padres radio booth as the play-by-play man, despite the fact that sounds to me like the guy who reads the fine print at the end of car commercials. He has a new partner, as Bob Scanlan shifts to working for Padres.com and former fill-in Jesse Agler steps in beside Leitner.

Up the California coast, another legend prepares to say goodbye. Vin Scully, who was in his second year covering the Dodgers when Bobby Thomson smacked the Shot Heard ’Round The World in 1951 and whose broadcasting career spans 67 years, says the 2016 season will most likely be his last. Joe Davis of Fox Sports, who is nearly 60 years Scully’s junior, joins the broadcast booth at Chavez Ravine, where he’ll cover 50 games on television.

Jeff Munn departs the Diamondbacks radio booth, where he was the pregame and postgame host who also pinch-hit on play-by-play occasionally. Mike Ferrin leaves MLB Network on SiriusXM to replace him.

So, if you’re keeping score, the Giants are the lone NL West team to return all of its on-air talent.

Providing information and historical research about how the media cover baseball both as news and as an event.

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