Category Archives: Local

Hear the 1957 Braves Pennant-Clinching Inning Featuring a Walkoff Home Run by …

Hank Aaron!

This clip was sent in by reader Karl Schindl, a regular reader who has several old time baseball radio clips, and shared this one as an example.  The quality is decent, with play by play announcer Earl Gillespie clearly heard with good timbre, although there is an audible hum in the background on the recording.

It’s the bottom of the 11th inning, with the Braves hosting the Cardinals at Milwaukee’s County Stadium.  Rookie Billy Muffett is on the mound working his third frame for the Birdos, and Red Schoendiest, serving the first full year of his exile from St. Louis, opened with a flyout to center.  Johnny Logan slapped a single to center field, with the big guns coming up.  Eventual Hall of Famer Eddie Mathews, who’d already knocked home a run with a double to tie the game in the seventh, failed in the clutch this time around, just getting under a pitch to hit a high flyout, again to center. Aaron, already 2-for-3 with two walks and a run scored, knocked the first pitch he saw from Muffett out of the park to secure the win, and the pennant, for the Bravos.

The box score for the win is here:

http://www.baseball-reference.com/boxes/MLN/MLN195709230.shtml

And the story from the next morning’s Milwaukee Journal is below.

Coincidentally, this pennant-clincher occurred on the same day the Little Rock Nine were escorted into Central High School to finally integrate schools in the state of Arkansas.

Thanks for sending this along, Karl!

MKE Journal 1957 Clinch

Joe Ritzo’s Baseball Dream Leads to the San Jose Giants’ Broadcast Booth

It’s not often that a young kid dreams of being on his hometown professional baseball team and then actually achieves it.  It might be even less often when the kid wants to be a broadcaster instead of a player, and the hometown team is the local High-A ballclub.

That’s what has happened with Joe Ritzo, the young radio (and sometime TV) broadcaster for the San Jose Giants of the California League. Sure, he’s looking to make the move up to the majors at some point. Every kid wants to be a major leaguer when he grows up, and every minor leaguer eventually wants to be a big leaguer, too, whether a player or not. The majors is always the ultimate goal for any baseball professional serious about his craft.

In the meantime, though, Ritzo seems very happy to be toiling for his hometown’s minor league Giants, as evidenced by the story below that first appeared in the Los Gatos Weekly-Times, part of the Bay Area News Group, and written by Dick Sparrer. You can read the story on its original website here, if you prefer.

If you are also a fan of our Working The Game series, pay particular attention towards the end, in which Sparrer briefly describes Ritzo’s typical day when there is a 7:00 pm home game. Spoiler alert: it’s a really long day, and there’s more to it than just talking into a microphone.


Baseball dream leads to the broadcast booth

It’s not uncommon to find youngsters scrambling around the grounds of Municipal Stadium during San Jose Giants games, proudly wearing their baseball caps and gloves while chasing down foul balls and playing catch between innings as they play out their dreams of one day making it there themselves.

Joe Ritzo was no different … well, maybe just a little.

He cherished his time at the ballpark as a kid because he loved the game of baseball so much. It’s just that he left his glove at home and brought his tape recorder along instead.

As it turns out, just as those boyhood dreams came true for guys like Joe Panik and Matt Duffy as they flashed leather on the infield at San Jose Muni on their road to become Major League baseball players, so too is the dream coming true for Joe Ritzo, who pushed the record button on his way to earning his place as the play-by-play broadcaster for the San Jose Giants.

“I always felt that I could talk a good game,” said Ritzo. And now he does, at least 140 times a year–mostly from his small perch in the booth atop Muni Stadium, but also from some less glamorous locales throughout the California League.

Still, while there may be more exciting places to visit than Rancho Cucamonga or Bakersfield, and more pleasant ways to get there than by riding a bus, Ritzo is very happy to be a Giant, even if it is at the Single A level. Because San Jose won four Cal League championships in over a six year span (from 2005-2010), and many of those Giants who have gone on to win three World Series titles played for those teams as they passed through San Jose on their way to San Francisco.

GIANTS PRIDE

“All of us here have a real sense of pride, not just because they’ve made it to the majors but because of the success they’ve had,” said Ritzo of the Giants. “It’s been an unbelievable ride.

“They were very successful here, so no one was real surprised after seeing the talent that rolled through here,” he added. “They were all great and a pleasure to be around. They were all approachable and very respectful people. We were lucky to have a great clubhouse.”

In that clubhouse were the likes of Panik and Duffy, Buster Posey and Madison Bumgarner, Brandon Belt and Andrew Susac, and so many more.

“We knew we were seeing something special when [Posey and Bumgarner] were here,” said Ritzo. “Posey was still trying to feel his way out, but he was a quiet leader, and [a 19-year-old Bumgarner] was still learning how to deal with the media and fans when they talked to him.”

And who were his favorites? Panik and Susac ranked near the top.

“I really liked talking to those guys,” said Ritzo. “They each have a lot of personality.”

Ritzo got a chance to reacquaint himself with Susac recently with the young catcher back in San Jose during an injury rehab. Of course, this time Susac came back as the owner of a World Series ring.

“It’s almost like they come back and they’re all grown up,” said Ritzo of the rehabbing big leaguers. “Our players really look up to these guys and watch how they prepare for a game and everything else they do.”

But it’s not only the young players who get enthused when the San Francisco Giants make appearances in San Jose–the fans like it, too.

“We try to take advantage of that opportunity for our fans,” said Ritzo. “There’s always a buzz; it’s electric.”

Especially when guys like Susac and Belt return to San Jose and blast home runs like they did this year during their rehab stints.

PASSIONATE FANS

“We have a very passionate fan base,” added Ritzo. “We see that on a regular basis, but it really comes out during a rehab.

“We have knowledgeable fans, and I’m entrusted to tell that story and try to make it interesting and entertaining every night,” he said. “Every game is its own entity, and I try to paint that picture as best as I can.”

In the true tradition of line, “I saw it on the radio,” from Terry Cashman’s song “Play By Play,” Ritzo can paint a picture with his words.

When he said on an Aug. 15 broadcast, “A bouncing ball snared by Kobernus as he drops to his knees … sliding, lunging to the ground on the infield dirt with a nice play,” we could almost see the dust fly as the third baseman made the play.

It’s just that sort of picture painting that could be Ritzo’s ticket to the next level.

“Just like a player, I have aspirations to get to the Major Leagues,” said Ritzo, who lives in Redwood City and will marry Emily Schwartz in October. “I like the aspect of being connected to a big league club. At the same time, it’s a very competitive field.

“I knew that going in,” he added. “If I never get to that level that’s fine. I love what I do and I’m happy to work for my hometown team.”

In that role he had the chance to join a Giants broadcast with Hall of Famer Jon Miller and his booth partner Dave Fleming in San Francisco.

“I got the chance to jump in with them to talk about our team here,” he said.

For a 31-year-old who grew up a Giants fan, that was a moment to remember.

“I never had idols,” he said. “I would get to a game and turn to look at the booth to see what the broadcasters were doing.”

So while Barry Bonds, Jeff Kent, J.T. Snow and the other Giants were going about their business between the lines, Ritzo was paying more attention to Miller, Hank Greenwald and Ted Robinson.

Robinson “had a real influence on me,” he said. “He was great. He would talk to me about the things I could do to improve.”

BASEBALL FAMILY

It’s not like Ritzo never played the game. He grew up in a baseball household. He is named for his paternal grandfather, Joseph Ritzo, who played the game professionally, and his father Dale, a doctor in San Mateo, was a pitcher at USC. Young Joe played on the infield and pitched a bit in the Palo Alto Little League and later the Babe Ruth League before playing at Palo Alto High School.

“It was in my blood,” he said of baseball. “I grew up loving the game.”

As a player, he said, “I was OK, but I always knew I wanted to get into broadcasting; that’s where my heart was.”

“I always knew that I had a good handle of what was going on,” he added, “even if I couldn’t play.”

So there was never a thought in Ritzo’s mind to pursue baseball as a player; he had his sights set on the broadcast booth. In pursuit of that goal he headed to Santa Clara University to major in communications “and get involved in their radio station.”

He did that and then some. Growing up in Palo Alto he was a Giants fan, and in addition to attending games at Candlestick Park he went to many San Jose Giants games–with his tape recorder, of course. But he also attended many games at Stanford University as a teenager and managed to find his way into the press box.

“They even let me jump on [the broadcast] for an inning, and I loved it,” he said. “They said, ‘You’re pretty good. Why don’t you do a little more?’ So here I was a 17-year-old high school junior doing Stanford games. I was very fortunate; it was really exciting that I had that chance.

“That’s probably how I got the job here,” said Ritzo, who sent his tapes to Giants executive Mike McCarroll in 2003, just a year after his high school graduation. “He said that my tape sounded great, and I came in to do six or seven games. I was 19 when I started here, and by my senior year [of college] I was doing half of the home games.”

It was only a few years later when his position went fulltime. That was 2007, and he has been doing all of the home and road games ever since.

A TYPICAL DAY

For Ritzo, his day includes more than just a few hours in the broadcast booth. His typical day begins at 1 p.m. for a 7 p.m. game. He provides coaches with statistics and other information, visits the clubhouse to talk to players and coaches to gather facts for his broadcast, “grabs someone for the pregame interview” that he tapes for airing before the game and compiles packets for the visiting media.

“Then I spend a fair amount of time preparing for the broadcast,” he said. And when that radio broadcast begins, he’s all alone on the air (Joe Castellano joins Ritzo for color commentary on televised games).

But Ritzo’s night doesn’t end when the umpire signals the final out–far from it, in fact. There’s the full post-game show, followed by a write-up of a game recap that he sends to the media and posts on the team website and social media sites.

After having dinner at home at about midnight, he puts together game notes, and his usual day ends at about 2 or 2:30 a.m.

It’s that sort of work ethic that will serve Ritzo well as he attempts to live up to the claim on the San Jose Giants website: “Listen to the stars of tomorrow today.” That, and the fact that he comes across as a no holds barred, tell it like it is play-by-play man–which can’t always make those long bus rides home with the very players and coaches he critiques too comfortable.

And on Aug. 24 he’ll be back on that bus, heading south to San Bernadino to call the play-by-play for the Giants in a game against the Inland Empire 66ers that night, so that local fans can “see it on the radio.”

Is Social Media Killing the Post-Game Radio Show?

Bill Shaikin, columnist for the Los Angeles Times, has written an article that was given a very contentious headline: “How social media is killing the post game radio show.”

Wow.

Bad social media. Bad boy. (Swats social media’s nose with rolled-up newspaper.)

Reading through the article, I don’t really see that hypothesis fully supported within. What the article does discuss is how the Los Angeles Angels of Anaheim (I can’t believe I still have to write that whole team name out) made the decision to eliminate their post-game radio show, hosted by play-by-play announcer Terry Smith, only for road games this season, and that hardly anyone has noticed. The decision was made because the calls to the show have been declining precipitously during the past few years.

Yet in the next paragraph, one of the hosts of the post-game show for in-market rivals Los Angeles Dodgers says their own post-game show is “thriving”.

So, whom to believe?

Reading through the piece, it appears to me that the problem might lie with the Smith’s unwillingness to both pre-engage Angel fans through social media to stoke interest in the show, and to expand the discussion beyond the game itself to the state of the Angels team in general.

I do agree that the post-game call-in show has ceded its preëminence as the place for fans to make their opinions known to others, given the rise of online forums, Facebook, Twitter and other digital avenues by which people can make themselves heard. But as with any other medium, it doesn’t have to be an either-or decision: that is, either call in to the radio show, or tweet or post your thoughts instead—choose one. Human expression has never limited itself in that way. We humans use all the tools at our disposal to make ourselves heard, for the simple reason that most of us are hard-wired to make ourselves heard.

So why not use social media to augment the reach of your post-game show by proactively posting thoughts and opinions to stoke discussion? That’s how Marty Lurie does it in San Francisco, and judging from Shaikin’s article, it seems to be working well for him.

If a host is still not willing to do this, the station can pull back on the show instead. But if that’s the decision, it wouldn’t be fair to blame the rise of social media for killing off the show. It would be fairer to acknowledge the inability to utilize social media effectively to increase the audience for the show. That’s not on the social media itself—that’s on the host.

Shaikin’s piece is below. If you’d prefer to read it on the LA Times site, click here.


How social media is killing the post game radio show

Broadcasters Terry Smith, left, and Victor Rojas talk to fans during a call-in show on 830 AM. (Facebook)
Broadcasters Terry Smith, left, and Victor Rojas talk to fans during a call-in show on 830 AM. (Facebook)

It is a rite of baseball, like singing in the seventh inning, or military jets screaming overhead on opening day.

It is the postgame radio talk show — Angel Talk, Dodger Talk, pick your team and talk. After the game, the phone lines open, and fans call in to celebrate, to debate and to complain — about the manager, the general manager, the players, maybe even the hot dogs.

The Angels are trying something new this season. They have eliminated the call-in show after road games — and hardly anyone has called in to complain about that.

“I’m not the only one who feels that way.”

A generation ago, a fan’s voice might only be heard by a call to the talk show, or a letter to the local newspaper.

With the rise of the Internet — with blogs and message boards, with Twitter and Facebook — the hosts of those talk shows are debating whether technology is enhancing their programs, or slowly killing them.

On Angel Talk, Smith said, the volume of callers has declined significantly in recent years.

“You don’t want to have the same people on every night,” he said.

David Vassegh, one of the hosts of Dodger Talk, said his program is thriving. In the car culture of Los Angeles, with fans driving home from the game, he said a postgame talk show is a natural fit.

Beyond that, he said, the program engages a much wider swath of fans than a message board would.

“Baseball is built around that feeling of community,” Vassegh said. “Listening to baseball games on the radio is part of that feeling of community.”

Lurie, one of the hosts of the San Francisco Giants’ call-in show, said social media has presented a challenge for him and his colleagues.

“You have to work harder to engage the audience,” Lurie said, “because they have other ways to express themselves.”

Before a show starts, Lurie sometimes takes to Twitter to ignite a debate. The other night, he asked fans via Twitter if they would trade Madison Bumgarner, Mike Leake and Jake Peavy for the top trio of starters on any other team in the National League.

“I must have had 150 people right away,” Lurie said.

He read the best responses on the air, then invited callers to weigh in.

Smith said he would be reluctant to solicit fans to call in and identify, say, their all-time favorite Angels second baseman.

“The idea of Angel Talk, for me, is to talk about the game,” he said.

On the last trip, the Angels invited fans to use Twitter to ask questions during Smith’s broadcast of the game, with replies from as far away as Australia, England and Italy. Smith said the Angels could consider similarly incorporating Twitter into the call-in show.

He said the Angels have made no decisions about the call-in show for next season — including, for that matter, whether he will be part of the radio team. His contract expires at the end of the season.

Smith, whose 14-year tenure is the longest of any radio broadcaster in Angels history, said he understands the team is focused on finding a new general manager and he expects to resolve his situation in the off-season.

“I have no desire to retire,” he said.

Radio was supposed to die when television was born, but the radio industry continues to prosper. Lurie predicted the call-in talk show would continue to prosper as well.

“Calling in on radio is part and parcel of baseball on the radio,” he said. “I think that is something that will live on.”

In that case, Vassegh is well aware of another tradition that will live on.

“When the team wins, you’re not going to get as many calls,” he said. “When the team loses, everybody wants to call in and voice their frustration.”

 

Broadcast Passion Comes Across Loud and Clear for Trenton Thunder Announcers

Ever wonder what it is like to be a broadcaster for a lower level minor league team? That’s what this story from Paul Franklin for the Times of Trenton seeks to shine a light on as he speaks to the two young fellows who do the games on radio for the Trenton Thunder, the Double-A affiliate for the New York Yankees.

You might think that a broadcaster of a Double-A team might actually be able to make a living to some degree of comfort. That might be true of some broadcasters of some Double-A teams, but not for the Thunder’s radio team of Adam Giardino and Jon Mozes.  They are young men in their twenties using this gig as a way-station along the roads of their respective careers, which comes through clearly in the piece, who is reproduced below.  Alternately, you can read the piece on the original website at nj.com here.


 

 

Broadcast passion comes across loud and clear | Trenton Thunder

Paul Franklin | For The Times of TrentonBy Paul Franklin | For The Times of Trenton

Thunder Thunder broadcast announcers Jon Moses (left) and Adam Giardino call a game held on Aug. 23 against the Richmond Flying Squirrels. (h/t: Photo by Michael Mancuso | For NJ.com )
Thunder Thunder broadcast announcers Jon Mozes (left) and Adam Giardino call a game held on Aug. 23 against the Richmond Flying Squirrels. (h/t: Photo by Michael Mancuso | For NJ.com )

TRENTON – Days off are rare, if at all. From early April to early September, Adam Giardino and Jon Mozes are in the broadcast booth doing Trenton Thunder baseball games.

Some baseball fans probably feel they are off every day in a job like that.

Of course, there have been bus rides that would challenge such opinions; like when Giardino worked for the Lakewood BlueClaws and had a 12.5-hour trip to Kannapolis, N.C. Or for Mozes, when a trip from Winnipeg that began at 2 a.m. turned into a 16-hour ride when the bus broke down. An independent baseball team was heading to Gary, Ind., and wound up getting caught in Chicago’s evening rush hour.

Mozes, from Philadelphia, played the game into college and loved listening to Harry Kalas doing Phillies games on radio. Giardino’s parents painted a mural of the Green Monster in his bedroom, and even today when he returns home in the off-season he sleeps in a room painted like Fenway Park. Tupperware protects thousands of baseball cards in the basement.

Each was introduced to announcing as a direct result of their passion for sports; appropriately enough by teachers who happened to be good listeners.

“My high school teacher who was the girls’ basketball coach realized my passion for sports and told me I should take videos and do commentary of their games and submit it to the town-run TV station.”

He did, and that suggestion would pay dividends when Giardino enrolled at the University of Connecticut in 2007. Immediately contacting the student station on campus, WHUS, 91.3 FM, within a week he was doing men’s soccer.

 

Majoring in Journalism and Communications, he would eventually cover the men’s basketball team making a national championship run, as well as calling the Fiesta Bowl game against Oklahoma with a crowd of 60,000 keeping him fired up.

Mozes had a similar introduction to sports media when he was a freshman at the University of New Haven. The dorm Residence Assistant was also campus radio director, and after hearing Mozes talking sports, asked if he would be interested in doing color for the women’s basketball team: WNHU, 88.7 FM.

“I wasn’t sure of my career,” said Mozes, who majored in Sports Management. “By the time sophomore year was over it was pretty clear.”

Internships would follow throughout college; Mozes had stints with ESPN Radio (Hartford affiliate) and the 76ers. Giardino landed a summer job in Pawtucket; Boston’s Triple-A affiliate just outside of Providence.

Being in the right place at the right time can be as crucial as in any profession, and so it was when two weeks before Giardino graduated the media relations intern with the PawSox left. With no job prospects, the kid’s first paying job would be just 30 minutes from where he grew up.

Meanwhile, Mozes, a year behind Giardino, landed his first gig in Abilene, Texas, as an assistant broadcaster. Not all the games were played, however, as the league ran out of money.

“Was making $400 a month,” Mozes said with a smile.

Returning home, he dabbled in part-time opportunities; some Rider University women’s basketball, Montgomery (Pa.) County high school football and Gwynedd Mercy University men’s and women’s basketball teams.

Giardino would go from Pawtucket to Lakewood, and in 2012 flew to Nashville to work the room at Baseball’s Winter Meetings.

Making connections there would land Giardino the Thunder job in 2013, where he is now Broadcast/Media Relations Manager.

Mozes followed Giardino’s path to the Winter Meetings a year later in Orlando, and that in part led to him being hired part-time last year by the Thunder. When the No. 2 guy left in mid-season, Mozes stepped into the assistant’s position.

Giardino goes solo on road games, but the 71 home games are split over the air; one doing play-by-play and the other color.

Ideal job?

“Harry Kalas,” Mozes said, meaning Phillies games on TV or radio.

Mercer County resident Tom McCarthy used to do Thunder radio and is now the TV play-by-play guy for the Phillies. The radio booth at ARM & HAMMER Park is named in McCarthy’s honor.

Giardino wants to return to his roots, doing radio at a Division I program for football and men’s basketball.

“I romanticize more with a job where you get to be excited when a school does well and accomplishes things. At ESPN you get to be excited about the game, but you don’t necessarily care who wins. They want the exciting outcome; the Hail Mary pass to always be caught, the half-court shot to always go in. I’d rather be tied to and emotionally invested in whatever school.”

Mozes agreed about coving a team as opposed to having a producer talk in your ear.

So by the nature of the business, they will continue to grab opportunities season by season, hoping eventually to grab the proverbial brass ring.

Mozes, one of three boys in the family (including a twin), will continue at Rider and Gwynedd, and do some public address announcing for the University of Pennsylvania; staying close to home for now. Giardino recently landed the play-by-play job for Dartmouth football, and in winter will handle color for Holy Cross men’s basketball in Worcester, Mass.; again close to home.

Giardino actually had a visit from his older brother, Sean, last week, a talented musician who stopped by to entertain fans by playing the organ at ARM & HAMMER Park for two nights during games. His full-time job is an engineer for the Long Island Rail Road.

“We have two jokes in the family,” Giardino. “One, my brother is the only guy who drives a train with a Master’s in Music Education. The second is that if you took a snapshot in our house 20 years ago, I’d be sitting there with my baseball cards and he’d be playing with his trains. Twenty years later it’s the exact, same, thing.”

 

New Biography: 1966 Atlanta Braves Broadcasters

A new biography about the Atlanta Braves broadcasters of their maiden season of 1966 was written by Bob Barrier for the SABR Biography Project, and has also been published here on the SABRmedia.org website:

1966 ATLANTA BRAVES BROADCASTERS

If you have written a biography about a figure in baseball media, whether on the broadcast or print side, please consider allowing us to add it to our site.

 

Vin Scully Will Extend His Unbreakable Record for One More Season

"I know, right? Can you believe I'm coming back for another season?!" (h/t Deadspin)
“I know, right? Can you believe I’m coming back for another season?!” (h/t Deadspin)

 

One of the things baseball fans like to debate is which records are unbreakable.

There are certain records that fall into this category because the game is completely different and will never go back to the way it would have to be for the record to be broken.  A lot of pitcher records fall into this category: Cy Young’s 511 career wins is an obvious one, as are Old Hoss Radbourn’s 59-win season in 1884 and Matt Kilroy’s 589⅓ innings in 1887.  Those can never be broken because the game is just not played that way anymore.

Then there are the records that are virtually unbreakable: technically possible, even with the game played as it is today, but so unlikely as to not even warrant serious consideration.  Cal Ripken’s consecutive game streak of 2,632 (and, to the end, his consecutive innings streak of 8,264); Chief Wilson’s 36 triples in a season for the 1912 Pirates; Hank Aaron’s 25 All-Star games; even Joe DiMaggio’s 56-game hitting streak is arguably in this territory.

But one record almost never gets mentioned, even though nearly everyone would agree that it is probably impossible to break: Vin Scully’s 66 years of broadcasting games on a regular basis for a major league baseball team . And now comes the word that Vin will be extending that record by returning in 2016 to the Los Angeles Dodgers for a 67th and final season which, at that level, makes it exponentially more likely that his record will indeed never be broken.

You might be thinking at first, hey, good call on mentioning Scully’s streak as a baseball record that’s unbreakable. (I confess that I myself had never considered it before hearing the announcement this morning.) But then you might be thinking, wait, this one will certainly be broken someday, won’t it? After all, each generation lives longer than any generation before it.  People living into their nineties and even past 100 is becoming way more common, and soon might even come to be commonplace.  So we can’t really call a record of 67 seasons in the broadcast booth totally unbreakable, can we?

Technically, you’d be right to think so, and maybe you’d even be proven right some day. But there are also a few mitigating circumstances to consider.  For one, Vin Scully came into the booth as one of the youngest broadcasters ever to call a major league game, during the 1950 season at the age of 22.  By contrast, the youngest baseball broadcaster today, Aaron Goldsmith of the Seattle Mariners radio network, started his major league broadcasting career just shy of his 30th birthday. The likelihood of any major league team hiring a kid in his or her early 20s to be a regular on their broadcasts is very slim.

For another thing, in order for someone to call 67 straight seasons of baseball as a regular for a major league team, they would almost certainly have to do so into their 90s, living to which becomes increasingly less likely as you pass through your eighties.  When you as an American male turn 80, for instance, your chance of dying that same year is 1 in 16 (contrasted with 1 in 430 at age 40 and 1 in 88 at age 60).  That drops to 1 in 8 by Vin’s age of 87, and 1 in 6 by age 89. Put another way, 87% of all American males born in a given year will have died before their 90th birthday. And even though the odds that an American female will live into her nineties is much greater at about 24%, it will be a long time before females are hired as regular major league team broadcasters at a rate that makes it just as likely that a woman will call games into her nineties as it is for a man to do so.  So even with today’s extended mortality levels and tomorrow’s egalitarianism in broadcaster hiring, that is still a long, long shot.

Lastly, the chances that someone will remain with a major league team, any major league team, for 67 seasons without getting fired, or without quitting for another job or to go to a network, makes the odds longer still that this record will ever be broken.

Roll that all around in your head, and once you have, you will come to a fresh, new appreciation of the magnitude of the record that Vin Scully sets every time  he steps back into the broadcast booth to begin another season, which he will do yet again next spring.

That is beyond amazing, and we are beyond blessed for living in these times so we can witness it.

Congratulations to you for your long and successful career, Vin Scully, and thank you for returning to the booth to entertain us for another year. And special thanks to your lovely wife, Sandi, for allowing you to do so.

(This article has been edited, with a revised headline, from the original to include reference to 2016 as Scully’s final season.)

Tribute and Outrage: Two Sides of the Coin after Red Sox Can Don Orsillo

Shortly after it was announced that the Red Sox are going to dump Don Orsillo, their long-time play-by-play voice, from their telecasts on NESN, the tributes started coming in, and the outrage within Red Sox nation started boiling over.

Boston.com, the Internet arm of the venerable Globe newspaper, provided a nice historical overview of top Bosox broadcasters that fans throughout New England have bonded with, resurrecting such names as Jim Britt, Tom Hussey, Curt Gowdy, Ned Martin and some of the younger whippersnappers, which you can read here:

Play-by-play announcers enjoy special place in Red Sox Nation

Jerry Thornton, a sometimes stand-up comedian who appears regularly on the The Dale & Holley Show on WEEI-FM, posted a nice retrospective of Orsillo’s funniest moments on his blog on the station’s website, featuring his five favorites.  This one is my personal favorite, since it makes good fun of Jerry Remy’s Masshole accent:

You can read his post and see the other clips here:

TRIBUTE TO DON ORSILLO’S FUNNIEST NESN MOMENTS

The other side of the coin from tribute is outrage, and there is no shortage of that here, either.  The Globe’s Dan Shaughnessy casts this incident as just another of a series of botched moves in a lost season that have culminated in the firing of Larry Lucchino and Ben Cherington as well:

With Don Orsillo news, Red Sox drop the ball again

Alex Reimer over at Boston Magazine believes that this firing was not just a dumb move by a clueless organization.  He maintains that this change is a calculated move that “could signal a dark, propaganda-filled turn for Red Sox telecasts.”

Don Orsillo’s NESN Departure Is the Biggest Loss of the Red Sox Season

Yikes!

Meanwhile, one of the eggheads over the Bston’s NPR affiliate, WBUR (OK, E. M. Swift was a writer at SI for for three decades, but still …  😀 ) makes very clear that even while he is largely unimpressed with practically every other announcer he’s ever heard—including Vin Scully, for cry eye!—Don Orsillo is the very best he has ever heard. Ever.

Another Loss For The Sox: An Appreciation Of Ousted Play-By-Play Announcer Don Orsillo

Most of all, though, it is the fan base that have been making themselves heard in the only way they can: through social media. Head on over to Twitter:

https://twitter.com/search?q=%23DonOrsillo&src=tyah

Or to Facebook:

https://www.facebook.com/search/str/%23donorsillo/keywords_top

And get a taste of what The People have to say about this incident.

All we can add to this at this point is, we wish all the best of luck to you, Don.  Here’s hoping everything comes up roses for you.

George Frazier, Long-Time Rockies TV Announcer, is Bidding Adios After the Season

It’s fairly common for ex-major leaguers to show up in the broadcast booth playing second banana as analyst to the team’s play-by-play announcer, but it’s somewhat less common for ex-players to sit in the first chair and describe the action itself. George Frazier was one of the latter.

A ten-year middle reliever with five clubs, mostly in the 80s, Frazier spent nearly two decades on various TV channels describing the activities of the Colorado Rockies baseball club to fans dotting a vast stretch of the Rocky Mountain region.

Dusty Saunders, a columnist for the Denver News, wrote a very nice piece that provides an overview of Frazier’s career in the broadcast booths at Mile High Stadium and Coors Field. With the permission of Saunders and his boss at the Post, Torin Berge (himself a ex-pro), we reproduce it in its entirety below.  Click here if you would prefer to read it on the original website.


 

Dusty Saunders: George Frazier bowing out of booth at season’s end

Frazier made his Rockies debut as a “tryout” TV analyst and color man

Former Rockies manager, Jim Tracy, left, takes a bite from a sandwich while talking with Rockies baseball television analyst, George Frazier in his office

Former Rockies manager, Jim Tracy, left, takes a bite from a sandwich while talking with Rockies baseball television analyst, George Frazier in his office hours before a game at Coors Field. (Andy Cross, Denver Post file)

George Frazier, after 19 seasons and more than 1,800 games, will say goodbye to Root Sports and Rockies fans Oct. 4, when he will be at AT&T Park in San Francisco for the Rockies’ final game of the season.

“I’ll miss all things Rockies,” said the veteran broadcaster, who lives in Tulsa, Okla. “But it’s time. After 28 years (overall) in broadcasting booths, I want a new challenge.”

Frazier, 60, made his decision a year ago, telling Root Sports management that he didn’t want to renew his contract after this season.

“I’m not going to hibernate on my front porch in Tulsa,” Frazier said. “Baseball remains a big chunk of my life. I want to stay involved, maybe by showing kids what a great game it is. I could work in the minor leagues, and Oklahoma University has new TV technology which interests me. My career door is wide open.”

Frazier made his Rockies debut as a “tryout” TV analyst and color man during the last three games of the 1997 season.

“Dave Campbell was leaving and I had a shot at replacing him,” Frazier said. “I don’t remember that first game score, only that the Rockies won at home against the Reds. I was nervous. I liked Denver and wanted to work here. There was so much fan enthusiasm for the Rockies.”

He did well enough to get offered a full-time contract for the 1998 season — joining play-by-play man Dave Armstrong, who was replaced by Drew Goodman in 2002.

Frazier’s career as a broadcaster began in 1988 after 10 years as a big-league pitcher, mostly as a middle reliever. He had a career 35-43 record with the St. Louis Cardinals, New York Yankees, Chicago Cubs, Minnesota Twins and Cleveland Indians.

Frazier’s first TV job was covering Big Eight Conference men’s and women’s basketball for Prime Sports. That led to baseball coverage at Home Sports Entertainment, the Baseball Network, ESPN, Fox Sports and with the Twins.

Last weekend, when the Rockies were playing in St. Louis, Frazier told viewers about his close relationship with Hall of Famer Lou Brock.

“Lou was my lockermate during his final years. We became good friends,” Frazier said. “I idolized the guy … still do.

“When I was talking about Lou on Root Sports, he was visiting in the Cardinals’ TV booth next door with Tim McCarver, telling viewers about our relationship.”

As Rockies fans know, Frazier loves to talk about baseball. His style has irritated some fans. He also has been accused of being too much of a “homer,” a charge made against many big-league broadcasters.

“I love to talk, particularly about baseball,” Frazier said. “I provide a lot of information about the game that often ties into my knowledge about the past. A lot of fans like that. Criticism has never bothered me. I never wanted to change my broadcasting style.”

Frazier’s favorite Rockies memories include the team’s run to the 2007 World Series and Ubaldo Jimenez’s no-hitter vs. the Braves in Atlanta in 2010.

“But even more important to me has been watching guys like Todd Helton, Larry Walker, Troy Tulowitzki and Carlos Gonzalez play regularly,” Frazier said. “They’re in my Hall of Fame.”

Frazier, who considers himself “a country boy at heart,” will spend a lot of time hunting and fishing near his Tulsa home and cruising around in his 23-year-old Chevy truck, which has 288,000 miles on it.

His retirement from booth duties also will give him more time with his wife, Kay; their children, Matthew, Brian, Parker and Georgia; and five grand- children.

“Speaking of families,” Frazier said, “I’ll miss Drew and the Root Sports gang. It may sound like a cliché, but a broadcasting organization is family, particularly after 19 years.”

Parker is a pitcher in the Oakland Athletics’ farm system. Georgia, recently crowned Miss Oklahoma, will compete in the Miss America Pageant, which ABC will televise Sept. 13.

“I’ll be there cheering loudly for my daughter,” Frazier said. “People will probably hear me, although I won’t be in a broadcasting booth.”

The Excellent Case for Jack Graney to be Enshrined in the Hall of Fame

Barbara Gregorich is a long-time SABR member who has written a boatload of books on a number of subjects ranging from women in baseball to children’s books to mystery novels. I don’t know whether she types her output on an old Remington Rand, which would be really cool, but either way, she’s a prodigious author of repute.

Barbara is also a big champion of Jack Graney, the Canadian-born slick-fielding outfielder for the Cleveland Indians during the heart of, and then the waning days of, the dead ball era.  Upon his retirement he remained in The Forest City to sell Fords during the roaring 20s, before moving into investments and eventually back to auto sales. Once the Depression hit, car sales started to evaporate, but fortuitously, the business of broadcasting baseball games was just starting to take hold.  The Tribe hired Graney on as the first-ever ex-ballplayer play-by-play announcer for a major league team.

Graney held onto the mike as the first great Cleveland Indians radio broadcaster until 1953, and he is currently memorialized in the press box at Progressive Field, as well as having been enshrined in the Canadian Baseball Hall of Fame.

And this is where Barbara comes in. She believes that Graney deserves the top honor any baseball broadcaster can achieve: enshrinement in the Baseball Hall of Fame at Cooperstown as winner of the Ford C. Frick Award for baseball broadcasting excellence.  She made the excellent case for this on her blog last week, and with her permission, we are reproducing the piece in its entirety below.

If you would prefer to read it on her original blog, click here.


 

Jack Graney and the Broadcasting Dawn Era

In September of this year a research team of the National Baseball Hall of Fame will release a list of candidates for the 2016 Ford C. Frick Award, to be given to a broadcaster who worked during the Broadcasting Dawn Era (roughly 1930-55). The award is given for “major contributions to baseball.” During the month of September fans will get to vote for their favorite candidate on the Hall of Fame’s Facebook Page; in October a final list of ten will be given to the Ford Frick Award Committee, who will make a decision in November. The committee members who cast ballots are asked to base their selection on the following criteria:

• longevity
• continuity with a club
• honors, including national assignments such as the World Series and All-Star games
• popularity with fans

When it comes to the 2016 Ford Frick Award, I don’t know who the Broadcasting Dawn candidates will be or who the committee will select. I do know who I think is most worthy of the Award, and that man is Jack Graney.

Jack Graney was born in St. Thomas, Ontario, Canada on June 10, 1886. He grew up playing hockey and baseball. During Jack’s youth, Canada native Bob Emslie [Canadian Baseball Hall of Fame inductee, 1986], a former major leaguer turned major-league umpire, noticed Jack’s athletic abilities and later recommended to the Chicago Cubs that they sign him. [See Adam Ulrey’s SABR biography, Jack Graney.]

328px-Jack_Graney_baseball_cardIn 1907 the Cubs did just that, signing Graney as a pitcher. Despite pitching well in the minors, Jack was sold to the Cleveland Naps at the end of the season. Although he played a few games for the 1908 Cleveland team, he was sent to the minor league Portland Beavers. While there, he once pitched an 18-inning game that ended in a 1-1 tie due to darkness.

At the end of that season Graney was selected as a member of the Reach All-Americans, a team composed of minor and major leaguers [SeeVintageball article.] The team played in Japan (winning all 17 of its games) and in other Asian countries. The Reach All-Americans constituted the first-ever team of professional ballplayers to tour Japan. Thus one of Jack Graney’s many firsts was that he played on the first professional baseball team to tour Japan.

That word “first” is important because Jack Graney, by both disposition and happenstance, was a man of many, many firsts. He was called up to the majors in 1910 and assigned to play League Park’s left field, which at one spot extended 505 feet. He was assigned to the first position in the batting order. Graney had a keen eye for balls and strikes and, because of his discerning eye, often drew walks. [He led the league in walks in 1917 (94) and 1919 (105).] As leadoff batter Jack often posted the first hit of the season, or the first run of the season, for his team.

In 1914 Jack Graney was the first player to face a new Red Sox pitcher, George Herman Ruth. Graney was also the first player to collect a hit off Ruth. Because he was a productive player and a team builder, other teams expressed interest in Jack Graney. The Tigers were interested, as were the White Sox. But Graney did not want to be traded: he was loyal to Cleveland all his life.

hp_scanDS_882910575444_2When Cleveland trainer Doc White brought a young bull terrier to spring training in 1912 and gave it to the team as a mascot, Napoleon LaJoie ended up giving the dog to Graney. Thus Jack became the first (and only) player to own a dog which was also the team’s official mascot. Larry performed tricks before the game not only in Cleveland, but also in other American League cities. He was the first dog ever formally introduced to a President of the US [Woodrow Wilson]. Graney, of course, performed the introduction.

In 1916 Jack Graney and teammate Tris Speaker tied for the American League doubles record. And in 1920 they played on Cleveland’s first pennant-winning team, which became Cleveland’s first World Series-winning team.

These facts about Jack Graney are interesting but only partially relevant to why I believe he is worthy of the Ford Frick Award. I say “partially relevant” because all these things show what kind of person Jack Graney was — one totally unafraid of the new or unknown (Japan, bull terriers, Babe Ruth, Woodrow Wilson). One willing to step in and be the first, even when the results weren’t guaranteed.

It is due to Jack Graney’s courage, love of baseball, and character that he stepped into the future in 1932, when he became the first former major leaguer to become a baseball broadcaster. And that was for the team he had dedicated his playing life to: the Cleveland Indians.

jack-graney-jcu-collectionTeams did not send their broadcasters on the road in those days, so for away games Jack worked with tickertape. When the team was away, tickertape would tell the stay-at-home broadcaster what happened on each pitch. The broadcaster would then re-create the game as if it were live. Jack Graney, who had played in all the American League stadiums for more than a dozen years, re-created the games vividly. He was able to describe the stadiums, the fences, the grass, the dugouts, even the scoreboards that a long ball bounced off of. Through his player’s knowledge as well as his broadcaster’s knowledge, Graney was able to bring the game to life for radio listeners. In doing these things, Jack Graney set the standard for future play-by-play broadcasters. Ted Patterson, author of The Golden Voices of Baseball, wrote that Jack Graney’s “ability to re-create a game from just a telegraphic report has never been paralleled.” [See also Ted Patterson’sJack Graney, The First Player-Broadcaster.]

Graney, who had a family to support, also worked as a car salesman in Cleveland, and some of his WHK broadcasts were from a glass-enclosed room within the dealership. People could stop by and watch Jack broadcasting games. He, in turn, could keep an eye on customers.

A caring, gregarious person, Graney shared his knowledge of the broadcasting booth with others. Jimmy Dudley [Ford C. Frick Award, 1997] was relatively new to broadcasting when, in 1947, Bill Veeck teamed him with Jack Graney. Dudley recalled his association with Jack as “one of the greatest I have ever known.”

As a broadcaster Jack Graney brought the same professionalism and dedication to his new baseball career as he had to his previous one. In 1934 CBS asked him to do the national broadcast for the World Series. But Baseball Commissioner Kenesaw Mountain Landis, who ruled with an iron hand, forbid it on the grounds that a former baseball player could not broadcast impartially.

Baseball, Graney sketch.jpegJack Graney wrote a letter to Landis, protesting the decision and stating that he was now a broadcaster, not a player: that he was a professional and knew how to behave as an impartial broadcaster. The result was that Landis relented. (I don’t know, but perhaps Jack Graney getting Landis to relent was also a “first.”) In 1935 Graney broadcast the All-Star Game for CBS and then, along with Bob Elson [Ford C. Frick Award, 1979] and Red Barber [Ford C. Frick Award, 1978], he broadcast the 1935 World Series between the Chicago Cubs and Detroit Tigers.

Thus Jack Graney was the first former baseball player to nationally broadcast a World Series. Through his letter to Landis and his professional behavior in the broadcasting booth, he opened the door for other players-turned-broadcasters, such as Joe Garagiolo [Ford C. Frick Award, 1991] and Bob Uecker [Ford C. Frick Award, 2003]. These player-broadcasters stand on the innovative and helpful shoulders of Jack Graney.

Print Courtesy of AndersonsClevelandDesign.com

Throughout Cleveland, and also throughout southern Ontario, Jack Graney was a much-loved broadcaster. His voice came over the radio all summer long. His daughter, Margot Graney Mudd, remembers that on summer days you could walk down every block in Cleveland, and from every porch came the voice of Jack Graney on the radio. Cleveland Plain Dealer reporter Bob Dolgan wrote: “When he [Graney] talked you could smell the resin in the dugouts, feel the clean smack of ball against bat and see the hawkers in the stands. He was a careful reporter and observer. He was short on ego and long on talent. His voice dripped with sincerity and crackled with vitality.”

On April 16, 1940, Jack Graney was behind the mike when Bob Feller threw his first no-hitter. That was on Opening Day, Comiskey Park. Feller’s feat remains the only Opening Day no-hitter. And Jack Graney was behind the mike during the 1948 World Series, when the Indians won their second World Series, this one against the Boston Braves.

Bob Feller and Jack Graney, on Jack Graney Day

After 23 years of play-by-play broadcasting, Jack Graney retired in September, 1953. In his honor, the Cleveland Indians celebrated Jack Graney Day, and fans paid their respects. Today the Indians honor Jack Graney with a large mural of him broadcasting a game. The mural is in the press room at Progressive Field, and its presence ties the Cleveland team of today to the Cleveland teams of the past, including the team that won the 1948 World Series and the 1920 World Series-winning team that Graney played on.

Jack Graney's Plaque, Canadian Baseball Hall of Fame

Jack Graney was inducted into the Canadian Baseball Hall of Fame as a player in 1984, the second year of the Hall’s existence. And in 1987 the CBHOF instituted the Jack Graney Award, to be given to a member of the media for their contributions to baseball in Canada. This is a double-sided award: it honors not only the recipient, but each time it’s given it honors Jack Graney — his character and his baseball contributions. American broadcaster Ernie Harwell [Ford C. Frick Award, 1981] received the Jack Graney Award in 2002. In 2011 the Jack Graney Award was given to W.P. Kinsella, author of Shoeless Joe, on which the movie Field of Dreams was based.

In 2012 Jack Graney was elected to the Cleveland Indians Hall of Fame as a broadcaster. In bestowing the award, the Cleveland Indians used their electronic scoreboard to show photos of Jack Graney as both a baseball player and as a broadcaster.

Looking at the criteria for the Ford C. Frick Award once again, it is clear that Jack Graney qualifies on all counts:

• longevity — Yes, 23 years as a broadcaster
• continuity with a club — Yes, 23 years with the Cleveland Indians
• honors — Yes, broadcasting the 1935 All-Star Game, the 1935 World Series, induction into the Canadian Baseball Hall of Fame, namesake of the Jack Graney Award
• popularity with fans — Yes, he was very popular during his Broadcasting Dawn days, with fans throughout northeastern and even southern Ohio and also northwestern Pennsylvania and southern Ontario. Many of these fans still remember Jack Graney’s broadcasting today

Jack Graney's 1920 World Series ring, 1948 World Series ring, and 1984 Canadian Baseball Hall of Fame ring, Photo Courtesy of Margot Graney Mudd and Perry Mudd Smith

If Jack Graney should be awarded the 2016 Ford Frick Award, which he so highly deserves, his name would take its rightful place alongside the other awardees. By his presence he would expand the breadth of the Ford Frick Award. Jack Graney would be the first Canadian-born broadcaster given the award. Someday there may be others: but Jack would be the first.

And Jack Graney, if given the award, would become the first Ford Frick recipient born in the 19th century. Not only the first, but most likely theonly. Ever. Think about the significance of that for a moment. Each and every one of the 39 Ford Frick Award honorees was born in the 20th century. Although baseball broadcasting did not come into being until the 20th century, baseball as we know it was born in the 19th century.

When Jack Graney was an infant, a batter needed five balls to take his base. When Jack was a toddler, the rule was changed to four balls. When Jack was just learning how to judge a pitch and swing a bat, major league pitching distance was increased from 50 feet to 60’6”. If young Jack happened to favor a bat with one flat side, he had to give it up at the age of seven: that’s when bats were required to be rounded.

During Jack’s major league days a cork center was added to the baseball. And the spitball was outlawed. Toward the end of his playing days, the first broadcast of a baseball game took place [August 5, 1921, on KDKA]. When asked to step into this new world of baseball broadcasting, Jack Graney met it with the same courage, attentiveness, and dedication he had met other challenges. He stepped into the broadcasting booth and brought the game to millions of fans. Not only that, he shared his hard-earned knowledge of how to do things on radio with newer and younger broadcasters.

Jack Graney is highly worthy of the Ford C. Frick Award.-dbe0d841fdddfcef

Working The Game: An Interview with Chuck Freeby, Notre Dame Radio Play-by-Play

In this installment in our “Working the Game” series of interviews, in which we seek to reveal what it is like to work as a baseball media professional on a day-to-day basis, we take our first trip to the college campus and have a conversation with Chuck Freeby, the radio play-by-play announcer for Notre Dame baseball.

Born in South Bend, Ind., and a graduate of Elkhart (Ind.) CentCHUCKFREEBYral High School and the University of Notre Dame, Freeby has been in sports media in the South Bend area for more than three decades. Since 2004, he has served as sports director at WHME, a part of LeSea Broadcasting, and is a contributor at WNIT. He was a sportscaster for WNDU for 17 years.

Freeby, who is married with six children, has been the play-by-play voice of Notre Dame baseball since 2009.

What’s the most important thing that you have to include in every broadcast?

You can’t say the score and the inning enough, especially considering you’re on radio. You don’t have any graphics to show the score and the inning.

Did you ever use the egg timer during your career?

Absolutely. (iconic Detroit Tigers broadcaster) Ernie Harwell is the first one I remember reading about who used the egg timer. He’d flip it over and if that egg timer ran out, it was time to give the score again. I try to make sure I give it at least once within every batter. Mentally, that’s my goal.

You’d like to think everyone hears every single second of your broadcast, but they don’t?

They don’t. Let’s face it. When we grow up listening to baseball, a lot of times it’s in the car. You’re getting in and out of the car. You’re running an errand. You’re getting back in the car and the first thing you want to know is the score. You don’t want to have to wait 15 minutes, 45 minutes to hear that.

Baseball play-by-play lends itself to a different cadence than, say, other sports you called like football, basketball or hockey, right?

With hockey, (giving the score) kind of naturally falls in to the action. You’re re-setting things every couple of minutes. It’s a much different pace and a different flow.

What else is important?

You’ve got to tell (the audience) who the batter is, who the pitcher is, the count, outs, that kind of thing. While you’re weaving all that in, the next important thing is to paint the picture. Where are the fielders? What’s the situation? Why are the fielders where they are? Is the third baseman playing in on the grass? Why? It’s usually because he is expecting a bunt. What about this situation dictates a bunt?

What else?

You tell stories about the players. You tell stories about the game. Especially with college baseball because the players aren’t as well-known as Major League Baseball. What is it that’s intriguing about this guy at the plate right now or this guy on the mound?

You know these stories because you travel with the team and you are around them talking to them all the time?

For Notre Dame, yes. For the opposing team, I spend a lot of time researching on the web. Early in the year when you don’t know exactly who’s going to play, you’re researching maybe 30 players. Once you get into the season a little bit more and have a better idea, it’s more like 20. You don’t have to waste too much time on subs. You stay with the starting lineup, starting pitchers and key relievers. You find out what they throw, what their upbringing was, all kinds of things.

Can you tell us about an unusual call?

We had a home game once where the top reliever for Rutgers did not bring his regular uniform with him and was wearing a different uniform number. When the head coach filled out the lineup card, he used the regular uniform number. So when he went to bring him into the game, Notre Dame’s head coach said, ‘wait a minute, No. 25 is not on the roster.’ The umpires got together and wound up calling the league office. Of course, at no time are they indicating to any of us in the press box what’s going on. All I know is that there is a discussion on the field going on that continues for about 20 minutes. I’m trying to fill time as much as possible, never knowing when we’re going to get back to live action. I can throw to a break occasionally, but it’s not like a rain delay. I wound up doing a full sportscast with scores from around the big leagues and anything I could get my hands on. Finally, we found out that the player was ruled ineligible to play that night and Notre Dame ended up winning that night against a player who was not prepared to come in and close.

So an announcer has to have to ability to filibuster?

Absolutely.

Do you also hope that in college, minor league or high school ball, the umpire lets the folks upstairs know about changes or rulings in some way?

When they change outfielders or make multiple position changes, very rarely is it communicated up to the press box. Who’s batting in what position? In high school ball, you’ve got the courtesy runner.

That’s when it helps to be able to recognize mannerisms, right?

By the time we got into the (Atlantic Coast Conference) tournament this year, I could look into the bullpen and see well enough where I could make out if it was a righty or lefty, [and] who was tall and angular, or short and stocky. You get to learn your guys really well and you hope you’ve done enough research on the other team to speak knowingly about them.

Do you hear much from the opposing fans, saying you gave us credit or you were a homer?

You always hear both. It doesn’t matter all that much too me, but you’re always going to hear criticism and it’s nice to get praise from the other team’s fans. We were doing a series at Maryland, where they didn’t broadcast the games, and a parent came up to me and said, I’m going to listen to Notre Dame games a lot in the future because I really enjoyed the way you called the game. Those are nice things to hear.

What about other instances?

I remember my first or second year and we were playing Connecticut and they had a player named Pierre LaPage who later played in the Cubs system. He liked to compare himself to (Boston Red Sox standout) Dustin Pedroia. They both were built similar and played second base. I said on-air, ‘Pierre LaPage is a good player but he’s no Dustin Pedroia.’ The next day, his dad came up outside the window and said, ‘I heard what you said about my son last night.’ The only thing I said that he was not Dustin Pedroia who the last time I checked was a major league all-star. You’re son is not a major league all-star. Someday, maybe he will be. But he ain’t right now.

Can you tell me about working baseball games with or without a partner?

I work most of the games by myself. I’ve had a color man a couple of times. There are ways that makes it easer and there are ways that makes it tougher. From an ease standpoint, I have to come up with less to say.  You have something else to play off. On the other hand, a lot of times the color person does not have a lot of experience broadcasting. Most of the time, I have to set them up to their strength, or what I perceive as their strength, and lead them into things. In doing so it may distract me from doing as much storytelling as I would normally do during a game.

What do you do to keep the listener’s attention when the game gets out of hand?

Before I always look up what happened on this date in Notre Dame baseball history or I might talk about the opponent in terms of its significance to Notre Dame history. If it’s Michigan, there are all kinds of tales you can tell about the Notre Dame-Michigan rivalry. Or it might be, when was the last time Notre Dame came down to Georgia? Has Notre Dame done anything with this school in anything else? You start to weave those things into the fabric of the broadcast.

What is the difference between broadcasting baseball on radio and on TV?

I’ve done a little bit of baseball on TV (other than Notre Dame) and it’s completely different. On radio, I’ll have to say it was a two-hopper, a line drive, a high-arching fly ball or little looper. I have to describe all of that. On TV, I don’t have to say any of that. It’s more about putting captions on pictures. TV is more the color analyst’s game. They have the (graphic and replay) tools to show what’s going on. They can analyze and talk about strategy. Radio is more of a play-by-play man’s medium because you’re painting the picture the whole time.

What expectations does Notre Dame have for you on your broadcasts?

They want me to promote upcoming home games, season ticket sales and things like that. But they’ve never come to me and said don’t say this or that. I will praise a Note Dame player when he does something well. I will also criticize him when he does something poorly. I tend not to second guess (head coaches), but I will do something that (Chicago White Sox radio analyst) Steve Stone talks about, which is first-guessing. Let’s say there’s a runner on first with one out and a 3-2 count on the batter. Am I sending that runner from first on a 3-2 pitch or not? Some of that depends on the guy you have up at the plate. How good a contact hitter is he? How fast is that runner at first? I try to present those situations. Sometimes I’ll flat out say, I would do this but I’m not the manager or head coach. If you suggest things ahead of time, it’s not so much second guessing [as it is] first guessing.

Baseball fans do this kind of thing all the time, right?

The beauty of baseball is that it’s so easy to strategize along with the manager. I’m blessed that our coaches trust me enough to look at the scouting reports of the opposing teams before a game. I can say that this is what they expect to do in a certain situation. They’re going to try to work him away with a breaking ball here.

You also call a lot of different sports, especially high school football and basketball. What rings true with all your broadcasts?

No matter what kind of game I’m going to do, preparation is the key. It’s not just about showing up and having a couple of rosters in front of you. It’s really about spending the time learning the players, learning the coaches, learning the game.

It’s important to develop a relationship and a trust with the coaches and some will be more trusting and giving than others?

It’s a personality thing. College (baseball) coaches want as much publicity as they can get for their game. It’s a tough sell these days. It gets so little attention nationally that coaches are usually forthright in sharing.